Tag-Archive for ◊ assistant professor ◊

• Saturday, March 19th, 2016

Mikhail Afanasyevich Boulgakov was born in Kiev, Ukraine in 1891, during the Russian empire, and died from a kidney disease in 1940 in Moscow during the Soviet era. He was one of seven children, the eldest of three brothers. His father was an assistant professor at the Kiev Theological Academy and his mother a former teacher.

After finishing high school, Boulgakov studied medicine at the Medical Faculty of Kiev University. He graduated in 1916 and worked as a surgeon in Chernovtsy hospital in Ukraine before dedicating his life to writing: plays, novels and short stories. He married three times, the first in 1913, the second in1924 and the third time in 1931.

Boulgakov was known for his scathing attacks on the communist regime which caused his disgrace by the authorities and by 1930 he was no longer allowed to publish his work. His request for permission to leave the country was refused and his literary ostracism remained until he died. Boulgakov was posthumously and slowly rehabilitated ten years after his death in the late 1950s but it wasn’t until 1962 that many of his plays, novels and short stories were published.

Heart Of A Dog, written in Russian and published in 1925 was banned from publication by the Soviet authorities soon after, because it was considered to be controversial and regarded as an allegory of the unsuccessful Russian revolution as well as a criticism of the new regime and an attack on their political idealism. The novel was first translated into English by Michael Glenny in 1968, long before it was allowed to be officially published in the Soviet Union in 1987, sixty-two years after the novel had been written and forty-seven years after Boulgakov’s death.

The story is set in Moscow in the early nineteen twenties. It starts with a badly mistreated, injured, suffering and moaning street mongrel dog, who due to starvation has been rummaging through dustbins searching for food when a cruel cook scolds it with boiling water as a deterrent. The poor dog, out of breath, lies in agony under a porch, crying and bitterly bemoaning his fate, his rough life and the challenges he has to endure for survival, especially in the cold freezing winter.

The renowned surgeon, professor Filip Filippovitch, who happens to be passing, encounters the shabby dog. The professor gives him a piece of sausage, buys him food, takes him home, feeds him, looks after him and treats his badly wounded, burnt flank.

The dog is given the name Sharik (a common name given to dogs in Russia) and is a Godsend for the professor who wants to carry out an audacious experiment, with the help of his assistant, Dr Bormenthal, by transplanting the genital glands as well as the pituitary gland of a freshly dead human unto Sharik’s body. The result is astoundingly successful but the draw back is that the good natured dog becomes an uncontrollable, lustful, hairy man with a foul vocabulary, a thug, an alcoholic and a petty thief like the twenty-eight-year old deceased man he is replacing. Nevertheless, he still keeps some of the dog impulse like hating and chasing cats.

Sharik evolves into Sharikov and blends in well with communist society by becoming an eager government worker. When Professor Filippovitch is faced with all the indoor and outdoor problems that Sharikov is creating he becomes strict with him by trying to educate him to be civil, reasonable and act responsibly but to no avail. Sharikov resents the professor and his strict discipline. In fact he dislikes him intensely and threatens to denounce him to the authorities for being a reactionary by making negative remarks against the revolution.

Heart Of A Dog narrated by the dog, Sharikov, is a scornful satirical comedy on pseudo-science, a surreal mixture of fact and fantasy. The author denounces the corruption, prejudice and bigotry of the communist regime and its leaders who were more intent on pillage and class vindictiveness than creating a better new life for their citizens. In his novel the author expresses, through professor Filippovitch, the overcritical protagonist, his disapprobation of the Soviet system by depicting a 1917 revolution that lost its way and went wrong.

The unprecedented, presumptuous, cruel and inhuman experiment that Professor Filippovitch and his assistant Dr Bormenthal undertake, depicts the folly of men who don’t know the limits of their power and start tampering with the unknown, to the detriment of celestial and natural powers, to end up with an alarmingly threatening and fiendish result. Heart Of A Dog is an imaginative story with a strong message that can be interpreted as an allegory of the Soviet Union’s political system, which is like professor Filippovitch’s experiment on the stray dog, clearly doomed to failure.

Luckily, with the experiment done on Sharik, there is a reversibility. After realising his failure, professor Filippovitch undertakes a surgical operation on Sharikov, this time removing the human glands and transplanting to Sharik his original genital and pituitary glands which had been preserved. After the successful reverse operation, the uncontrollable, ungrateful fake human, Sharikov returns to his former harmless state as the pleasant, grateful dog, Sharik.

At the time of writing his novel, Boulgakov didn’t know that his wish would come true, one day, with the dissolution of the Soviet Union in December 1991 after about seventy years of existence and fifty one years after his death. Mikhail Boulgakov was a man with a vision that was ahead of its time.

• Sunday, February 02nd, 2014

Elif Shafak was born in 1971 to Turkish parents, a philosopher father and a diplomat mother, in Strasbourg, France. Her parents divorced when she was one year old and she returned to Turkey with her mother, which left an imprint on her life. A single child raised by a single divorcee mother was an unusual situation in a patriarchal environment in Ankara in the early 1970s.

Shafak lived between her traditionalist, irrational, superstitious grandmother in Ankara and her well educated, feminist, westernised, diplomat mother, abroad. She travelled all over the world which made her a multicultural and cosmopolitan person in her life and in her writing, combining eastern and western cultures as well as traditions in her novels.

Shafak writes in Turkish and English and is the most widely read woman writer in Turkey. Her books have been translated into many languages. She has won Turkish literary awards and has received several prestigious international prizes, one of them being the French honorary distinction of Chevalier des arts et des lettres in 2010.

Shafak is also a political Scientist and assistant professor. She obtained a Masters degree in Gender and Women’s Studies and a Ph.D. in Political Science at Middle East Technical University in Turkey. Her Master’s thesis on Islam, Women and Mysticism received an award from the Social Scientists Institute. She has been a teacher at various universities all over the world.

Shafak writes for a number of daily and monthly publications in Turkey and has contributed to several newspapers in Europe and in the USA as well as writing lyrics for Turkish musicians.

She lives with her two young children and Turkish husband who works as editor-in-chief for an Istanbul newspaper. She divides her time between Istanbul – the Turkish city that she is very attached to and which takes a central part in her novels – and London.

Her book, Honour, was written in English and published in 2012.

Adem Toprak is from Istanbul and his Kurdish wife, Pembe, was born and raised in a small, remote, roadless village called Mala çar Bayan located near the river Euphrates. Pembe has always longed to travel and after her marriage she moves to Istanbul, where her two children, Eskender and Esma were born. Her wish is fulfilled when her husband decides to emigrate with the family to 1970s bustling London, before the arrival of their third child Yunus.

Once in London, Adem and Pembe want to believe in love and freedom but deep inside they can’t get rid of, nor leave behind, their entrenched resistance to adapt to a different culture, nor their ingrained perception of betrayal, shame and honour.

Honour is the story of three generations of a Turkish and Kurdish family. Through the various narrators and viewpoints, the author is juxtaposing eastern and western cultures as well as conservative and modern societies.

The story revolves between Turkey and London. It starts with Esma and ends with her. Esma is the second Toprak child, a bright student. She is ambitious, independent, strong headed and destined to a bright future. The irony is that after her studies and her ambitious dreams, she ends up like her mother as a housewife. Esma has now two twin daughters following her marriage to the considerate and caring Palestinian immigrant scientific scholar, Nadir.

Yunus and Nadir become good friends. After sharing some thrills with a group of punk squatters, that he came across by chance in his early teens, Yunus becomes a successful musician with a band.
Throughout the story the author emphasizes the three siblings’ – Eskender, Esma and Yunus – different degrees of adaptation to the western world. Each one of them trying to adapt in his own way and according to the circumstances they are facing.

Feeling uprooted and lost in his new adopted country, Adem, the head of the family, has been brought up by an “at times sober, sweet and kind and at times drunken, evil and violent” father and a submissive mother who disappears out of his life at an early age. Having had this unsettled and insecure upbringing, Adem, once in London becomes an addicted gambler. He spends all his money to satisfy the needs of his Bulgarian lover, Roxana, the dancer. He eventually abandons his wife, Pembe and his three children without any income to survive on.

Adem’s wife Pembe, who is a determined and yet vulnerable character, feels just as displaced and disoriented as her husband. She finds a job in a hair-dressing saloon and finds solace in writing letters to her identical twin sister, Jamila.

Jamila, never marries – because her honour has been besmirched when kidnapped as a young girl through no fault of her own – and is living secluded in a remote place in Turkey. She becomes a midwife and a healer. She has a psychic connection with her identical twin sister and is an important character in the plot’s twist at the end of the story.

With her husband having run away with another woman, leaving her to bring-up their three children, Pembe establishes an innocent, secret relationship with a Greek cook, which will lead to her demise and lead her son Eskender to Shrewsbury prison after committing his irreparable crime by killing her for it. Eskender finds it difficult to embrace two cultures at once. He is a sympathetic character as an adult, when he is tortured by guilt and remorse and feels repentant for committing his heinous crime. Previously he was a confused teenager trying hard to find the right path on his own. He was young, without a father to guide him and with a mother who spoilt him and called him her “sultan”.

Eskender considers his mother’s irreproachable friendship with a man to be a crime and only by killing her can he restore the Toprak family honour, since his father will not undertake this task himself. Pembe has to die like her eldest sister, Hediye, who died, hanged by her family, many years earlier, for having eloped and then been forsaken by a young medical assistant.

In the novel, the author underlines that for some communities the only answer to restoring the family’s honour is death and that this code of honour is carried forward from generation to generation.

Honour has several themes: patriarchal societies, immigration, the search of identity, multiculturalism and honour code as well as honour killing – which today is still alive and well in various tribal communities all over the world. Just as domestic violence against women is also increasingly spreading all over the eastern and western world.

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