Tag-Archive for ◊ disappearance ◊

Author:
• Friday, February 24th, 2017

Shin Kyung-Sook was born in 1963 in a village near Jeongeup, north Jeolla Province, in southern South Korea, from humble farmer parents who lacked the financial means to send her to high school. She was the fourth child and eldest daughter of six. At the age of sixteen Shin joined her elder brother in Seoul where she worked at an electronics plant while at the same time attending evening classes.

After graduating as a creative writing major from the Seoul Institute Of Arts, Shin published her first novella “Winter’s Fable” which earned her the 1985 Literary Joongang Newcomer’s Prize.

Shin’s work consists of novels, short stories and non-fiction. She has received several literary prizes and awards and is the most acclaimed writer in South Korea. Please Look After Mother has been translated into several languages and won the 2011 Man Asian Literary Prize. It was originally published in Korean in 2008 and in English in 2011.

Presently Shin divides her timetable between Seoul and New York City, where she teaches as a visiting scholar at Colombia University.

Please Look After Mother starts with the one week missing, sixty-nine-year-old illiterate, hard-working peasant, Park So-nyo, who was with her husband on their way to visit their children in Seoul. She is separated from her husband, who is walking fast, ahead of her as usual, in Seoul’s crowded central railway station. The distracted husband boards the congested train in a hurry while his wife is left behind on the platform.

Park So-nyo’s husband and her four adult children, two sons and two daughters, undertake a thorough search to try to find her. The businessman, Hyong-chol, is the eldest son and the successful novelist, Chi-hon, is the eldest daughter.

Park So-nyo’s disappearance leads to a strange mixed feeling in her family, realising that they didn’t really know her well and took her for granted all these years without showing her any gratitude and without ever devoting time to appreciate the love and sacrifice of this kind, affable and generous woman.

Please Look After Mother, Shin’s sixth novel and her first to be translated into other languages, is a short, powerful and heavily emotional book. It is divided into four chapters plus an epilogue. The first chapter concerns the daughter, Chi-hon and the third chapter belongs to Park So-nyo’s husband. The narration in these two chapters is in the uncommon second-person style which lends the novel a note of personal intimacy as well as a general accusatory tone.

In the second chapter, Hyong-chol, Park So-nyo’s favourite child is the focal point. And by a twist from the author, in the fourth chapter the mother reappears as a ghost – suggesting that she has already passed away – to narrate her side of the story which is the most evocative and lyrical part of the novel.

In the poignant, melodramatic, short epilogue, Shin leads the story through a spiritual path by taking the maternal love and devotion to a higher level, turning it into self-martyrdom worthy of sanctity. The author goes to the extent of comparing Park So-nyo to the virgin Mary in Michael Angelo’s “Pietà” and the novel ends with Chi-hon praying and pleading to the virgin Mary to look after her mother.

Each chapter conveys the thoughts, the feelings, the guilt and remorse of each one of the characters. The different narrations as they unravel gradually, constitute the multifaceted story that forms the full image of the matriarch’s character and illustrates the veracity and inner self of each member of the family.

The reader learns that Park So-nyo is a kind-hearted, tough, resilient and determined, solitary woman who is averse to pity and therefore suffers silently from brain cancer, while her family is too busy ignoring the symptoms of her debilitating, dangerous disease. And although poor and in fragile health, she continues to devote herself to helping the less fortunate than her. She gives assistance and comfort to the destitute Un’gyu, his sick wife and to his newly born baby. She is also a donor and a helper in the local orphanage as well as a devoted, self sacrificing mother and wife.

In Please Look After My Mother, the author tackles an important subject by placing in juxtaposition rural and urban life and their effects on societies by creating an unbalance with the increasing social shift from one to the other : a common preoccupation world-wide, not only in South Korea. Young people from the countryside migrating to the big cities, whether they seek education or work in the hope of a better life. They end up settling in the big city leaving their parents behind and nobody to look after the parents or to take over the agricultural land.

In one of her interviews Shin says about her novel: “We’ve taken it for granted that our mothers are always here beside us and devoted to us. We think they are born to be mothers. But they were once girls and women as we are now. I want to show it through this book. My mother is the energy behind my writings.”

How far back can we remember a human being? And how far does the memory of a mother last? Please Look After Mother is a moving, gloomy story, a hymn and a tribute to maternal love and a contemplation on motherhood. A good insight into Korean culture, values, food, festivals and political changes.

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Author:
• Sunday, November 01st, 2015

Gerbrand Bakker was born in 1962 in Wieringerwaard, Holland. He studied Dutch language and worked as a subtitler for nature films on Dutch television for several years as well as a skating instructor during the winter before becoming an accredited gardener in 2006. Bakker says that writing and gardening complement each other.

Bakker’s first novel, The Twin, was published in 2006 and won the International IMPAC Dublin Literary Award. His second novel, June, was published in 2009. The Detour, Bakker’s third novel, won the Independent Foreign Fiction Prize and was published in Dutch in 2010 and in English in 2012.

The Detour is the story of a middle-aged Dutch woman who calls herself Emilie. On what seems a sudden impulse, she rents a farmhouse in a remote area of North Wales, leaving everything behind in Amsterdam – all her worries, her husband and both her parents without telling anybody about her whereabouts.

Emilie, who only took the farmhouse on rental and is not likely to remain in it for long nor had the intention to and despite been given short notice from the agency to leave in a matter of a few days, is nevertheless working hard to embellish the wild and desolate garden and surroundings. She also purchases a Christmas tree as well as a television set. In her endeavour, she is trying to bury her past by finding peace and comfort physically and mentally as a therapeutic pass time.

Emilie spends her days gardening, walking, admiring the far away sea and nature around her, observing an aggressive badger who sneaks out of his den and bites her foot. She puzzles about the flock of white geese in her yard which were ten when she arrived but keep on disappearing one after another, she tries to save them from what she thinks might be a fox, but fails. Their curious disappearance will never be solved like other inexplicable mysteries in the story.

Emilie’s solitary confinement comes to an end when Bradwen, a young Welsh man from the area, who is mapping a walking trail across the country and across Emilie’s farm yard, gets injured near Emilie’s farm. She offers him shelter but he ends up staying with her longer than the expected one night. Bradwen will prove to be a good companion, being taciturn like her. He will also prove to be a good help around the house and the garden. A certain understanding combined with a tender relationship creates a bond between them.

The story moves back and forth between Emilie’s new life in Wales and her husband Rutger’s life in Amsterdam. Rutger is baffled by his wife’s unexpected disappearance and seeks the help of a detective to trace her whereabouts. Once located, the husband with the help of a policeman who arrested him earlier for setting Emilie’s university office on fire out of anger and who meantime became his friend, both set sail and go on Emilie’s trail.

The reader unravels Emilie’s enigmatic world slowly, but not fully, in little strokes by half-said words, through meditations and several reminiscences. We discover that Emilie is a lecturer at the university and that she is preparing a thesis on the nineteenth century reclusive American poet Emily Dickinson. We also assume that she has an unhappy marriage.

Seeking anonymity in her escape and wanting to put an end to any past connection and create a vacuum by keeping her distance with everybody, she borrows the name of Emilie from the poet Emily Dickinson that she had a sort of love hate feeling towards and looked upon in disdain in spite of being aware of similarities in character between the poet and herself. The author throughout the novel draws the similitude between the two Emilies.

The reader also discovers that the story’s main protagonist fled Holland after the university scandal as a result of having an affair with a student which ended her academic career. Additionally, she seems to be suffering from an undisclosed, incurable disease. After receiving a card from her husband telling her he is on his way to fetch her, the message hastens her final, inevitable decision before her husband’s arrival. At the abrupt end of this haunting story we learn, for the first time, from Rutger that his wife’s real name is Agnes.

The detour is also a tribute to nature which is a prominent character in this well written, slow-paced and yet gripping novel. The author, being a gardener by profession, features the beauty of nature in what remains an overall gloomy atmosphere. He describes the part of North Wales – he said he visited a number of times – in great detail. The idyllic Welsh wildlife, the surrounding trees, the plants, the green hills, Mount Snowdon and the varying climate, not forgetting the animals, being part of nature.

Emilie who is clearly grieving over her past life and over her deteriorating state of health, is a tormented soul seeking an impossible, unattainable peace within herself, forgetting that it’s impossible to escape from oneself by fleeing. Instead of confronting her problems with some pragmatism, she stages an inevitable, abrupt, harsh ending to her life. The sombre atmospheric setting of The Detour is like Emily Dickinson’s poems – it’s about Life, Love, Nature. Time and Eternity as well as Death.

The title of the novel implies that Emilie is taking a detour maybe in order to be isolated among the beautifully remote Welsh nature or perhaps to enjoy her own company away from everything and before her final and ineluctable destination or perhaps destiny. Bakker has definitely left his reader to draw his/her own conclusion.