Tag-Archive for ◊ help ◊

Author:
• Saturday, March 19th, 2016

Mikhail Afanasyevich Boulgakov was born in Kiev, Ukraine in 1891, during the Russian empire, and died from a kidney disease in 1940 in Moscow during the Soviet era. He was one of seven children, the eldest of three brothers. His father was an assistant professor at the Kiev Theological Academy and his mother a former teacher.

After finishing high school, Boulgakov studied medicine at the Medical Faculty of Kiev University. He graduated in 1916 and worked as a surgeon in Chernovtsy hospital in Ukraine before dedicating his life to writing: plays, novels and short stories. He married three times, the first in 1913, the second in1924 and the third time in 1931.

Boulgakov was known for his scathing attacks on the communist regime which caused his disgrace by the authorities and by 1930 he was no longer allowed to publish his work. His request for permission to leave the country was refused and his literary ostracism remained until he died. Boulgakov was posthumously and slowly rehabilitated ten years after his death in the late 1950s but it wasn’t until 1962 that many of his plays, novels and short stories were published.

Heart Of A Dog, written in Russian and published in 1925 was banned from publication by the Soviet authorities soon after, because it was considered to be controversial and regarded as an allegory of the unsuccessful Russian revolution as well as a criticism of the new regime and an attack on their political idealism. The novel was first translated into English by Michael Glenny in 1968, long before it was allowed to be officially published in the Soviet Union in 1987, sixty-two years after the novel had been written and forty-seven years after Boulgakov’s death.

The story is set in Moscow in the early nineteen twenties. It starts with a badly mistreated, injured, suffering and moaning street mongrel dog, who due to starvation has been rummaging through dustbins searching for food when a cruel cook scolds it with boiling water as a deterrent. The poor dog, out of breath, lies in agony under a porch, crying and bitterly bemoaning his fate, his rough life and the challenges he has to endure for survival, especially in the cold freezing winter.

The renowned surgeon, professor Filip Filippovitch, who happens to be passing, encounters the shabby dog. The professor gives him a piece of sausage, buys him food, takes him home, feeds him, looks after him and treats his badly wounded, burnt flank.

The dog is given the name Sharik (a common name given to dogs in Russia) and is a Godsend for the professor who wants to carry out an audacious experiment, with the help of his assistant, Dr Bormenthal, by transplanting the genital glands as well as the pituitary gland of a freshly dead human unto Sharik’s body. The result is astoundingly successful but the draw back is that the good natured dog becomes an uncontrollable, lustful, hairy man with a foul vocabulary, a thug, an alcoholic and a petty thief like the twenty-eight-year old deceased man he is replacing. Nevertheless, he still keeps some of the dog impulse like hating and chasing cats.

Sharik evolves into Sharikov and blends in well with communist society by becoming an eager government worker. When Professor Filippovitch is faced with all the indoor and outdoor problems that Sharikov is creating he becomes strict with him by trying to educate him to be civil, reasonable and act responsibly but to no avail. Sharikov resents the professor and his strict discipline. In fact he dislikes him intensely and threatens to denounce him to the authorities for being a reactionary by making negative remarks against the revolution.

Heart Of A Dog narrated by the dog, Sharikov, is a scornful satirical comedy on pseudo-science, a surreal mixture of fact and fantasy. The author denounces the corruption, prejudice and bigotry of the communist regime and its leaders who were more intent on pillage and class vindictiveness than creating a better new life for their citizens. In his novel the author expresses, through professor Filippovitch, the overcritical protagonist, his disapprobation of the Soviet system by depicting a 1917 revolution that lost its way and went wrong.

The unprecedented, presumptuous, cruel and inhuman experiment that Professor Filippovitch and his assistant Dr Bormenthal undertake, depicts the folly of men who don’t know the limits of their power and start tampering with the unknown, to the detriment of celestial and natural powers, to end up with an alarmingly threatening and fiendish result. Heart Of A Dog is an imaginative story with a strong message that can be interpreted as an allegory of the Soviet Union’s political system, which is like professor Filippovitch’s experiment on the stray dog, clearly doomed to failure.

Luckily, with the experiment done on Sharik, there is a reversibility. After realising his failure, professor Filippovitch undertakes a surgical operation on Sharikov, this time removing the human glands and transplanting to Sharik his original genital and pituitary glands which had been preserved. After the successful reverse operation, the uncontrollable, ungrateful fake human, Sharikov returns to his former harmless state as the pleasant, grateful dog, Sharik.

At the time of writing his novel, Boulgakov didn’t know that his wish would come true, one day, with the dissolution of the Soviet Union in December 1991 after about seventy years of existence and fifty one years after his death. Mikhail Boulgakov was a man with a vision that was ahead of its time.

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Author:
• Saturday, February 27th, 2016

Amin Maalouf was born in Beirut, Lebanon in 1949, the second of four children, from a family that originated in Yemen. He spent the first years of his childhood in Cairo, Egypt, where his parents lived at the time, before returning to Beirut a few years later. He studied at the French Jesuit school, Collège Notre-Dame de Jamhour followed by the Université saint Joseph in Beirut where he read sociology and economics. His father, Ruchdi Maalouf, was a renowned writer, a journalist, a poet and a talented painter as well as the owner of a newspaper. From an early age Amin Maalouf wanted to follow in his father’s footsteps.

Amin Maalouf became an editor for the leading Beirut daily newspaper, El Nahar International, and covered many events around the world, like the fall of the Ethiopian monarchy in September 1974, the last battle of Saigon in March and April 1975, as well as important events in Somalia, Yemen, India and Bangladesh among others.

In 1976, fourteen months after the Lebanese civil war, Maalouf flew to Paris with his wife and three young children, where he worked for the weekly, Jeune Afrique, and became editor in chief while resuming his trips and reporting from all over the world for his weekly. After the big success of his first novel, Leo The African in 1986, he dedicates himself to writing full-time. He still lives in Paris with his wife and three grown-up sons.

Maalouf ‘s mother tongue is Arabic but all his books are written in French. He has written fiction, non-fiction as well as opera librettos and his books have been translated into several languages. In 1993 Maalouf won the oldest and most famous French literary prize, the Prix Goncourt, for The Rock of Tanios published the same year. In 1998 he received the European prize of the Essay for In the Name of Identity and in 2010 the Prince of Asturias award of Letters for all his work. In 2011 he was the first Lebanese to become a member of the prestigious Académie française.

Maalouf has been awarded honorary doctorates by the Catholic University of Louvain in Belgium, the American University of Beirut in Lebanon, the University of Tarragona in Spain and the University of Evora in Portugal.

The Rock Of Tanios, based loosely on a true story, intertwines the Lebanese history of 1830 with a legend passed from one generation to another. A world where intrigues, conflicts and competition between the Ottoman Empire, Egypt, France and Britain end in battles on Mount Lebanon. All these factors among others help to forge the destiny of Tanios Kishk, a remarkable and mysterious character.

Tanios, whose hair grows white at an early age giving him the look of a wise man despite being naive, is a tortured soul looking for identity when he fortuitously discovers his illegitimate birth. He is an intelligent, rational teenager who challenges laws and established social conventions. His fate is similar to a Greek tragedy. He seems to inadvertently trigger family, clanic and regional conflicts, which changes everything in the whole area, including people’s lives. He also unexpectedly becomes a useful mediator between leaders, despite his young age.

The story is set in the small Lebanese village of Kfaryabda – the name is fictional but the village is real. The book’s title refers to a rock, shaped like a majestic throne, to which Tanios – when he becomes a mythical figure – ascends, sits on the rock for a short while before disappearing for ever in a mysterious way and, according to the local legend, not seen again. That is why the maleficent rock carries the name of Tanios. The only rock in the area that has a human name and the only rock that children are not allowed to climb for fear of the superstitious belief that they might disappear like Tanios if they sit on it.

The narrator obtained his story from two sources: the three historical, weighty “authentic” documents and his grandfather’s cousin, the ninety-six-year-old Gebrayel, a former history teacher who is passionate about the events of the nineteenth century that took place in his region.

The narrator, the characters and happenings are imaginary, as well as being based in varying degrees on real persons and real events.

Tanios is born in suspicious circumstances. Officially his father is Sheikh Gerios who is highly ranked, being Sheikh Francis’ intendant and yet servile in his attitude and his mother is the very beautiful, Lamia. There are rumours in the village that Tanios is the son of the powerful, patriarchal, feudal lord, the philanderer, Sheikh Francis, ruler of Kfaryabda, who never hesitates to use his “droit du seigneur” over the girls and women villagers.

The Rock Of Tanios is for Maalouf a truly nostalgic return to the roots of his beloved Lebanon in days of yore. Maalouf in his “Author’s Folder” titled: A Forgotten World, says about Lebanon that it’s: “A country of extreme gentleness and extreme violence, a bewildering country…A captivating and unforgettable country, undoubtedly”.

The book is an enchanting, fascinating, colourful, bitter-sweet tale from the nineteenth century, underlining the wisdom and madness of humans, with a background of real Lebanese history, legend, superstitions, rituals, tribalism, love and vengeance, the description of a feudal society based on loyalty. It’s poetically written, with passages like this one: “Fate comes and goes through us like the shoemaker’s needle goes through the leather he is shaping”.

In The Rock Of Tanios the characters are well depicted and moving; an array of appealing personalities contrasting with forceful and devious ones. The story is like one of the One Thousdand And One Night stories, with excentric characters like the strange hawker multeer, Nader who writes philosophical books and brings them to market in the hope of selling them to learned people.

The reader feels like going on an enchanting journey across time and place, similar to Maalouf’s other unforgettable, fascinating and beautifully written novel, Samarkand, which carries us to eleventh century Persia with the story revolving around the famous philosopher and poet Omar Khayyam.

“Have I not sought beyond the legend, the truth? and when I believed to have reached the truth, it was made of legend”. Very succintly put by Amin Maalouf to describe the quintessence of the whole story behind The Rock Of Tanios.