Tag-Archive for ◊ Kenya ◊

Author:
• Sunday, March 27th, 2011

Francesca Marciano was born and grew up in Rome, Italy in 1955. Her grandfather was a well-known Italian writer and winner of literary awards. Since her childhood Francesca was dreaming of becoming a writer like her grandfather but she gave up her university studies and went to New York to have a six-month film course and ended up staying six years.

She worked as a producer/director for documentaries for the Italian television before she found out that her real vocation was film-making. She also acted in some films and became a writer.

Her first holiday trip to Zanzibar made her fall in love with Africa. Since then, she spends her time between Rome and Kenya, where she has a residence.

Francesca Marciano has written three novels to date :
The End Of Manners in 2009
Casa Rossa in 2003
Rules Of The Wild in 1998

The beautiful young Italian, Esme, is the main character and the passionate, self-observing narrator of Rules Of The Wild. The story is set in modern Kenya and relates the every day life of western expatriates who live a superficial, decadent, purposeless existence in a closed circle community. They get drunk, consume drugs and are devoid of morals. They live in Kenya and yet are completely cut off from the native culture of the place they call home but don’t seem to care. They don’t want to leave because they are captured by the picturesque beauty of the country and because of all the privileges and freedom they have. They don’t contribute to the Kenyan life, they don’t even make African friends, they only have cheap African labourers. The colonial attitude still prevails among the white society in Africa.

The expatriates are aware without being deterred, that they will never belong to Kenya nor be part of it despite falling in love with it. Just like Esme who surmounts her torn feelings towards her two lovers, Adam and Hunter, knowing well that she will never “belong” to either of them.

Esme is first attracted to Adam, the gentle, handsomely rugged, safari leader, a second generation Scot, who is captivated by the fascinating landscape and wild nature and would like to transmit this passion to Esme.

While living with Adam she is charmed by the conceited British war correspondent, Hunter, who after reporting the Somalian and Rwandan genocides becomes cynical about the harshness and injustice in these breathtaking, unspoilt East African countries and transmits the horror of what he has witnessed to Esme, through his copious accounts.

After much wavering between her two very dissimilar lovers, after much suffering and introspection, Esme discovers that her passion lies elsewhere. It lies in the miracle generated everyday by the swooping of birds over the still water, the movement of the clouds, the pink and purple sunrise and the stunningly dramatic orange sunset. Every day this magnificent, heavenly display looks as if perceived for the first time by the observer.

Esme discovers that she feels reborn and free by living so close to such enthralling virgin landscape which is a constant wonder, because she senses that she is part of it. She realises that she is in love with Africa more than anything or anybody. At last, after her wearying quest, she attains her flawless, “elsewhere” and extirpates herself from the past in order to live in harmony and self-abnegation with her surroundings.

Unfortunately, this striking paradisaical setting is heavily obscured by the sad crude reality of how the white Westerners still sustain the colonialist mentality in the African countries and by the rape, pillages and blood baths taking place in the neighbouring Rwanda and Somalia. A dark side of human nature juxtaposed to the beautiful images of an untamed luxuriant African panorama.

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Author:
• Thursday, January 31st, 2008

Anita Shreve was born in Dedham Massachusetts in 1946 from an airline pilot father and a housewife mother. She graduated from Tufts University. She worked as high school teacher at Amherst College, Massachusetts. She started writing her novels while working. She was awarded an O. Henry Prize in 1975 for her book “Past The Island, Drifting”.

She then stopped writing fiction in the late 1970s and worked as a journalist in Nairobi, Kenya for three years. She wrote for Quest magazine, US magazine, New York Times and New York magazine. She decided to give up journalism and dedicate herself full-time to writing fiction. Her books were translated into many languages and she won The Pen L.L. Winship Award and the New England Book Award for fiction. She currently lives between Longmeadow Massachusetts and New Hampshire.

Anita Shreve wrote several novels :
Eden Close in 1989.
Strange Fits of Passion in 1991.
Where or When in 1993.
Resistance in 1995.
The Weight of Water in 1997.
The Pilot’s Wife in 1998.
Fortune’s Rocks in 2000.
Sea Glass in 2002.

She wrote non-fiction books :
Dr. Balter’s Child Sense in 1985.
Dr. Balter’s Baby Sense in 1985.
Working Woman in 1986.
Remaking Motherhood in 1987.
Who’s in Control in 1988.
Women Together, Women Alone in 1989.

Kathryn is the pilot’s wife and she is the main character of the novel. The story is about her tragedy, her distress, her love, her deceit and her rage, and how she has to deal with the initial shock when she is woken up in the middle of the night by a knock on the door to be told by Robert Hart, the pilot’s union employee, that her husband died in a plane crash with 103 passengers, 10 miles off the coast of Ireland and that there were no survivors.

The novel is divided in two parts, the first half describes in simple, clear prose Kathryn’s struggle to deal with her shock, loss and grievance, while trying to pull herself together for the sake and protection of her 16-year old daughter Mattie, with the help of the kind Robert Hart.

This part holds some hints to prepare readers for what follows in the second half which is full of unexpected painful revelations, challenging Kathryn’s prowess to deal with the truth of her marriage and what has become of it. What appeared at the beginning to be a sad and quiet story turns out to be a gripping one, a thriller combined with the difficult defiance between loss, love and betrayal but also about some hope for the future.

Anita Shreve manages to make a good, captivating read out of a banal, common theme of betrayal and adultery.

Kathryn finds it very hard to bring together her happy memory of a stable, peaceful and uneventful married life in a beautiful home overlooking the ocean in Ely, New Hampshire, a bright teenage daughter, with a husband she cared for dearly, and thought that she knew, with the harsh deceitful reality of who Jack really was. A mixed feeling of grief and danger which triggers her determination to seek the truth at any cost after hearing all the unbelievable rumours, and after discovering various pieces of paper in Jack’s pocket and in his bath-robe with initials and phone numbers which she knew nothing about. She was ready to go through it all even if its outcome turns out to be devastating for her. In any case Kathryn knew that nothing will ever be the same again.

Anita Shreve portrays Kathryn’s confusion and disbelief in switching the chapters constantly from the present with all it’s unpleasantness and cruel devastation, to flashes of the serene, tranquil and more reassuring past. She has masterfully succeeded in conveying Kathryn’s feelings by contrasting the two lives through juxtaposition.

Anita Shreve’s books are often categorized under “women’s novels” due to her acquired art of describing women’s distressful feelings and sensibilities. The Pilot’s Wife appears to be a puzzle that Kathryn tries throughout the novel to unravel piece by piece. She thought she knew her husband but found out that she was living with a complete stranger she knew nothing about.

The readers are aware of that through what Mattie was telling her mother about the rumour that the pilot committed suicide : “Mattie you knew your father.” “Maybe”. “What does that mean ?” “Maybe I didn’t know him” Mattie said. “Maybe he was unhappy”. “If your father was unhappy, I’d have known.” “But how do you ever know that you know a person ?” she asked. What Kathryn didn’t know is that no matter how well you know a loved one intimately, there is always a little secret garden that each one keeps to oneself.

After meeting Muire Boland, Jack’s second wife and seeing their two children, Kathryn was overwhelmed with the sad and crude reality of her suspicion, which led her to drive all the way to the Irish coast, where the plane crashed. She decided to unburden herself from the weight she was carrying by throwing her wedding ring into the sea to join Jack at the bottom of the ocean. She wanted a new start by getting rid of the past and like that the healing operation can take place.

The Pilot’s Wife is an easy, readable book, the style is clear and simple. The plot was progressing well but then the author decided to end the story abruptly leaving a couple of loose threads untied.
The involvement of Jack with the IRA which led to the plane explosion was not explained sufficiently, and the relationship between Kathryn and Robert Hart was left undeveloped.

Anita Shreve was asked in an interview where did she get the idea for The Pilot’s Wife? She answered : “A novel is a collision of ideas. Three or four threads may be floating around in the writer’s consciousness, and at a single moment in time, these ideas collide and produce a novel… I overheard a conversation between a pilot and a woman at a party. Something he said lodged in my consciousness and wouldn’t go away. The thing he said was : When there’s a crash, the union always gets there first. He meant that when there was a crash of a commercial airliner, a member of the pilot’s union made it a point to get to the pilot’s wife house first. There are a lot of reasons for this, the most important of which is to keep her from talking to the press. And there was a collision of ideas.” which produced The Pilot’s Wife.