Tag-Archive for ◊ manuscripts ◊

Author:
• Friday, September 26th, 2014

Paula McLain was born in Fresno, California, in 1965. She is the middle daughter of a mother who left home when McLain was four years old and a father who was often in jail. McLain and her two sisters spent their childhood in various foster homes. When Paula McLain was eighteen she became independent and supported herself by working as a nurses’ aid in a convalescent hospital, then as a pizza delivery girl, an auto-plant worker and a cocktail waitress before coming across a creative writing class when twenty four and discovering that her passion was to be a writer.

Paula Mclain has written two novels to date: A Ticket To Ride in 2008 and The Paris Wife in 2011.
She also wrote a non-fiction book in 2003: Like Family:Growing Up In Other People’s Houses and two poetry books: Less Of Her in 1999 and Stumble, Gorgeous in 2005.

Paula McLain received an MFA in poetry from the University of Michigan in 1996 and fellowships from the corporation of Yaddo, the MacDowell colony, the Ucross Foundation, the Ohio Arts Council and the National Endowment for the Arts. McLain teaches poetry in the MFA program at New England College and lives with her family in Cleveland, Ohio.

The Paris Wife narrated by Hadley, is a well documented, fictionalized biography, which also
respects the historical period in which Hemingway, the famous pillar of American literature, lived with his first wife, Hadley Richardson, in the Paris of the roaring twenties.

The reserved and timid, Hadley Richardson, who has abandoned any hope of love and marriage, is twenty eight years old when, in October 1920, she meets a handsome young man called Ernest Hemingway, eight years younger than herself, at a party in Chicago. They fall in love and after a short courtship and a stream of letters, they get married in 1921 and decide to live in Paris, which at the time is the centre of art and culture and where Hemingway will work as a foreign correspondent.

The Paris Wife is a homage to Hemingway’s first wife Hadley. McLain recognizes that The Moveable Feast – Hemingway’s own posthumously published memoir in 1964 by his fourth wife, Mary Walsh, about his Paris years – was the inspiration that spawned her book. The story is told from Hadley’s perspective in a similar way to The Moveable Feast, which was written from Hemingway’s perspective. He says in his book that it’s about “how Paris was in the early days when we were very poor and very happy”.

McLain recounts the short, tumultuous years when Hadley and Hemingway lived together, as well as the beginning of Hemingway’s literary career in the early twenties in Paris. The newly married couple mix with Anglo Saxon expatriates, like American novelist, Francis Scott Fitzgerald and his novelist wife, Zelda, the American poet and critic, Ezra Pound, the American novelist, poet and playwrite, Gertrude Stein and the Irish novelist and poet, James Joyce, to name a few.

Unlike Hemingway, Hadley doesn’t feel at ease mixing with these non-conformist new acquaintances. She discovers that she lacks the ambition and the stamina to pursue her pianistic talent despite the encouragements of her husband and her friends. She is contented to be living through and in the shadow of her highly ambitious husband who is working very hard to make a name for himself in the literary world.

The Paris Wife is a poignant story of two psychologically damaged and therefore highly vulnerable people who love each other deeply without being able to grow old together. They both need each other but can’t lean on or rely on one another. Consequently their marriage is destined to fail.

Hadley loses Hemingway’s trust when she loses the small valise containing all of Hemingway’s three years work manuscripts on a train in the Gare de Lyon on her way to join him in Lausanne. Hemingway’s mistrust deepens further when Hadley announces her unexpected pregnancy to him when he isn’t yet ready for fatherhood and thinks that Hadley is imposing her will. Hemingway loses Hadley’s trust when she first sees his interest in other women and suspects his disloyalty when admiring Lady Duff Twysden, followed by the justified threatening love affair with her unfaithful friend, Pauline Pfeiffer.

After a brief marriage that lasts from 1921 to 1927, Hadley and Hemingway divorce because Hadley refuses Hemingway’s proposal for a “ménage à trois” with Pauline Pfeiffer, a not uncommon practice in the post first world war liberal Paris. Unable to convince Hadley, Hemingway marries Pauline Pfeiffer who becomes the second of his four wives.

Once the irreparable happens, life is never the same again for either of them. “Hemingway still loved Hadley afterwards. He couldn’t and wouldn’t stop loving her, maybe ever, but she killed something in him too. He’d once felt so anchored and solid and safe with her, but now he wondered if he could ever trust anyone”. Much later in his life, Hemingway reveals his regret in the last book he was working on before committing suicide, The Moveable Feast, when he wrote: “I wished I had died before I ever loved anyone but her”, referring to Hadley.

When Hadley is informed about Hemingway’s suicide by his fourth wife, Mary Walsh, she says: “Tatie was dead. There was nothing Paul – her second husband – could possibly do for me except let me go – back to Paris and Pamplona and San Sebastian, back to Chicago when I was Hadley Richardson, a girl stepping off a train about to meet the man who would change her life. That girl, that impossibly lucky girl, needed nothing”. A sad love story that transcends any epoch.

New muay thai : muaythaiteam

Author:
• Wednesday, December 24th, 2008

Alexander McCall Smith was born to a Scottish family in Bulawayo in Zimbabwe (Rhodesia) in 1948, the youngest of four children. His father worked in Rhodesia as a public prosecutor, in what was then a British colony. His mother wrote a number of unpublished manuscripts. After finishing school in Rhodesia, McCall Smith moved to Scotland to study Law at Edinburgh University.

After graduating, he worked as a professor in Scotland,then returned to Botswana to teach law at the University that he managed to create.

Alexander McCall Smith is an expert on genetics, he held roles in a number of national and international Bioethics Commission of UNESCO. He retired as a professor of medical law at Edinburgh University in 2005 due to his belated success as a writer. His other commitments could not be pursued because he preferred to dedicate his time to writing books and playing bassoon in an amateur orchestra that he co-founded in 1995, called “The Really Terrible Orchestra”. He currently lives in Edinburgh with Dr. Elisabeth Parry whom he married in 1982 and their two daughters.

McCall Smith twice received the Booker Prize for The No1 Ladies’ Detective Agency in 1998 and in 2004 he was named “Author of the Year” by the Booksellers Association and British Book Awards. In 2006 he was appointed a CBE -Commander of the Order of the British Empire- for services to literature and was awarded the Honorary Degree of Doctor of Law in Edinburgh in 2007.

Alexander McCall Smith is a prolific and diverse writer; he produced an abundant and varied number of books ranging from children tales to picture books to legal text books to novels. But he became internationally known through his Botswana detective series first published in1998. The series in English sold millions of copies round the world and was translated into many languages. It was made into a television series and broadcast on BBC1 in 2008.

Tears of the Giraffe published in 2000 is the second Botswana detective story taken from the author’s Botswana series of nine novels. The first was The No. 1 Ladies’ Detective Agency. Then followed Morality of Beautiful Girls in 2001, The Kalahari Typing School for Men 2001, The Full Cupboard of Life 2003, In the Company of Cheerful Ladies 2004, Blue Shoes and Happiness 2006, The Good Husband of Zebra Drive 2007, The Miracle of Speedy Motors 2008.

McCall Smith was born and raised in Africa, which helped him in his writing to successfully convey the essence of the African landscape, culture and society in its real day-to-day life and in all its complexity especially between the old and the new traditions and values. He doesn’t omit to describe, through his well developed and uncomplicated characters, the genuine Botswanan’s sense of courtesy and dignity which impressed him when he lived there and which stand out more in his books than the detective stories.

His style of writing is clear, passionate, charming and warm hearted which make his novels very popular even in Botswana where people liked the way the author portrayed their world. That is because they probably felt that, despite being a foreigner, he understood deeply the Botswanan’s nature.

Precious Ramotswe reminiscent of Agatha Christie’s miss Marple, is the star of the series, she owns the first female private detective agency in Botswana and probably in the whole of Africa. She deals with problems related to human lives more than serious crimes. An American mother who missed her son in a commune on the outskirts of the Kalahari desert ten years ago, seeks out Mma Ramotswe’s help to discover how and why her son died.

Mma Ramotswe, being kind and having lost a child in the past, accepts the sterile case out of compassion. The second case, a butcher who wants to know if his wife is cheating on him. The detective gives the simple case to her, now promoted secretary to the job of assistant, to investigate. Makutsi discovers that the wife has been cheating on her husband and that their son is not his. The moral issue arises: is it not better to protect an adulterer wife to avoid greater damage to the son’s future? There follows the debate between Mma Ramotswe and Makutsi over a cup of bush tea, about doing wrong in order to attain the right outcome.

Precious Ramotswe was not trained for detective work, yet she is successful because she relies mainly on her accurate intuition, her intelligence and wisdom and also on her valuable Principles of Private Detection manual. She is an old fashioned lady with old fashioned principles, just like the two other main, endearing characters in the book, her kind fiancé Mr J.L.B. Matekoni, the master mechanic of Tlokweng Road Speedy Motors and her trustworthy secretary/assistant Mma Makutsi.

The deep and detailed description of the main characters reveals a very positive portrait of the Botswanan people. They are hospitable, compassionate and value genuine love, taking their commitments seriously.

The author reveals to the readers at the end of the novel the meaning of its poetic title, when Ramotswe solves the mystery of the dead American son and offers the mother a traditional Botswana basket, woven with the giraffes’ tears; the only present a giraffe can offer.

In one of his interviews Smith admits that when he wrote the first book of the series The No. 1 Ladies’ Detective Agency, he became so fond of the character of Precious Ramotswe that he could not let her go.

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