Tag-Archive for ◊ monica ali ◊

Author:
• Tuesday, March 30th, 2010

Here is a list of the books we have read and reviewed and will be reviewing in the coming months at the UNWG Book Club:

2003
The Life of Pi by Yann Martel
The Human Stain by Philipp Roth

2004
Palace Walk by Naguib Mahfouz
The Alchemist by Paulo Coelho
Youth & The End Of The Tether by Joseph Conrad
English Passengers by Matthew Kneale
Samarkand by Amin Maalouf
Portrait In Sepia by Isabel Allende
Youth by John Coetzee

2005
Waiting by Ha Jin
Silk by Alessandro Baricco
Notes From The Hyena’s Belly by Nega Mezlekia
Crabwalk by Günter Grass
The Bell Jar by Silvia Plath
The Shadow Of The Wind by Carlos Ruiz Zafon
The Remains Of The Day by Kazuo Ishiguro
Things Fall Apart by Chinua Achebe

2006
The Kite Runner by Khaled Hosseini
Fear And Trembling by Amelie Nothomb
The Namesake by Jhumpa Lahiri
Eve Green by Susan Fletcher
The Palace Tiger by Barbara Cleverly
The Time Traveller’s Wife by Audrey Niffenegger
The Buddha Of Suburbia by Hanif Kureishi
The Pickup by Nadine Gordimer

2007
The Bookseller Of Kabul by Asne Seierstad
The God Of Small Things by Arundhati Roy
Embers by Sandor Marai
Palace Of Desire by Naguib Mahfouz
Sugar Street by Naguib Mahfouz
I’m Not Scared by Niccolo Ammaniti
One Hundred Years Of Solitude by Gabriel Garcia Marquez
In The Country Of Men by Hisham Matar
The Pilot’s Wife by Anita Shreve

2008
Staying On by Paul Scott
The Swallows Of Kabul by Yasmina Khadra
The Cairo House by Samia Serageldin
Keeping The World Away by Margaret Forster
The Speed Of Light by Javier Cercas
The Lady On My Left by Catherine Cookson
My Name Is Red by Orhan Pamuk
An Old Fashioned Arrangement by Susie Vereker
Tears Of The Giraffe by Alexander McCall Smith

2009
The Miniaturist by Kunal Basu
Mothers And Sons by Colm Toibin
The Blood Of Flowers by Anita Amirrezvani
So Many Ways To Begin by Jon McGregor
The Agüero Sisters by Cristina Garcia
The Wedding by Nicholas Sparks
Half Of A Yellow Sun by Chimamanda N. Adiche
That Summer In Paris by Abha Dawesar
The Island by Victoria Hislop

2010
Brick Lane by Monica Ali
The Harmony Silk Factory by Tash Aw
Girl With A Pearl Earring by Tracy Chevalier
The Mission Song by John le Carré
The Conjuror’s Bird by Martin Davies
The Sea by John Banville
The Angel’s Game by Carlos Ruiz Zafón
26a by Diana Evans
The Road Home by Rose Tremain

2011
Desert by Le Clézio
Any Place I Hang My Hat by Susan Isaacs
Rules of The Wild by Francesca Marciano
My Name is Salma by Fadia Faqir
The Man Who Loved Books Too Much by Allison Hoover Bartlett
Nadirs by Herta Müller
The Wind-Up Bird Chronicle by Haruki Murakami
The Yacoubian Building by Alaa El Aswany
Crow Stone by Jenni Mills

2012
The Other Hand (UK print) or Little Bee (USA print) by Chris Cleave. (Two different titles for the same novel depending on where you buy it).
The Siege by Ismail Kadare.
The Loner by Josephine Cox.
Let The Great World Spin by Colum McCann.
Okei by Mitsugu Saotome.
Mister Pip by Lloyd Jones.
The Help by Kathryn Stockett / La couleur des sentiments / Gute Geister.
The White Tiger by Aravind Adiga / Le tigre blanc / Der Weisse Tiger.
My Father’s Notebook by Kader Abdolah / Cunéiforme / Die Geheime Schrift.

2013
The Last Station by Jay Parini / Une année dans la vie de Tolstoi / Tolstojs Letztes Jahr.
The Invisible City by Emili Rosales / La ville invisible / Tiepolo und die Unsichtbare Stadt.
No Great Mischief by Alistair MacLeod / La perte et le fracas.
Illuminations by Eva Hoffman.
Sunset Oasis by Bahaa Taher / Oasis du couchant / Sonnenuntergangs Oase.
Ignorance by Milan Kundera / L’ignorance / Die Unwissenheit.
Light of the Moon by Luanne Rice.
Softcore by Tirdad Zolghadr.
The Musician’s Daughter by Susanne Dunlap.

2014
Honour by Elif Shafak / Crime D’honneur.
Flowers For Algernon by Daniel Keyes / Des fleurs pour Algernon.
Three Strong Women by Marie NDiaye / Trois femmes puissantes.
Firmin by Sam Savage.
The Marseille Caper by Peter Mayle / Embrouille en Provence.
The Year Of The Hare by Arto Paasilinna / Le lièvre de Vatanen.
The Paris Wife by Paula McLain / Madame Hemingway.
Garden Spells by Sarah Addison Allen / Amours et autres enchantements.
The Shadow Lines by Amitav Ghosh / Lignes d’ombres.

2015
The Map Of Love by Ahdaf Soueif / Lady Pacha.
The Secret History Of Costaguana by Juan Gabriel Vasquez / Histoire secrète du Costaguana.
Night Train To Lisbon by Pascal Mercier / Train de nuit pour Lisbonne.
Bel Canto by Ann Patchett.
The Hand That First Held Mine by Maggie O’Farrell / Cette main qui a pris la mienne.
The Way To Paradise by Mario Vargas Liosa / Le Paradis-un peu plus loin.
The Sweetest Dream by Doris Lessing / Le rêve le plus doux de Doris Lessing.
The Detour by Gerbrand Bakker / Le détour de Gerbrand Bakker.
Major Pettigrew’s Last Stand by Helen Simonson / La dernière conquête du major Pettigrew de Helen Simonson.

2016
Coastliners by Joanne Harris / Voleurs de plage.
The Rock Of Tanios by Amin Maalouf / Le rocher de Tanios.
The Heart Of A Dog by Mikhail Boulgakov / Coeur de chien.
In Other Rooms, Other Wonders by Daniyal Mueenuddin / La saison des mangues introuvables.
The Sense Of An Ending by Julian Barnes / Une fille, qui danse.
Balzac And The Little Chinese Seamstress by Dai Sijie / Balzac et la petite tailleuse chinoise.
Ghana Must Go by Taiye Selasi / Le ravissement des innocents.
Accabadora by Michela Murgia.
Hanna’s Daughters by Marianne Fredriksson / Hanna et ses filles.

2017
Marrying Mozart by Stephanie Cowell / Epouser Mozart: Le roman des soeurs.
Please Look After Mother by Shin Kyung-Sook / Prends soin de maman.
Kartography by Kamila Shamsie / Kartographie.
All The Names by José Saramago / Tous les noms.
In The Skin Of A Lion by Michael Ondaatje / La peau d’un lion.
Moderato Cantabile by Marguerite Duras.
Behind The Scenes At The Museum by Kate Atkinson / Dans les coulisses du musée.
The Little Paris Bookshop By Nina George / La lettre oubliée.
The Masterpiece by Anna Enquist / Le chef-d’oeuvre.

2018
The Woman Who Breathed Two Worlds by Selina Siak Chin Yoke.
How It All Began by Penelope Lively.
The Heart Has Its Reasons by Maria Duenas / Demain à Santa Cecilia.
The Violinist Of Venice by Alyssa Palombo.
The Woman On The Orient Express by Lindsay Jayne Ashford.
The Briefcase by Hiromi Kawakami / Les années douces.
The Girl Who Saved The King Of Sweden by Jonas Jonasson / L’analphabète qui savait compter.
A Piece Of The World by Christina Baker Kline.
The Joy Luck Club by Amy Tan / Le club de la chance.

 

 

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Author:
• Sunday, January 31st, 2010

Monica Ali was born in 1967 to a Bangladeshi father and an English mother in Dhaka, which was at the time part of East Pakistan. Her parents moved to Bolton in England when she was three years old. Her father became a teacher at the Open University and her mother a counsellor.

Monica Ali attended Bolton Girls’ School, followed by Wadham College in Oxford, where she read Economics, Philosophy and Politics. Currently she lives in South London with her husband and two children.

Monica Ali was short-listed in 2003 for the Man Booker Prize for fiction, for the Guardian First Book Award and for the British Book Awards, Literary Fiction Award, for her first novel Brick Lane, published in June of the same year.

Brick Lane was followed by Alentejo Blue, set in Portugal and published in June 2006, followed by In The Kitchen, published in April 2009. Brick Lane was made into a film, which won a British drama film award in 2007.

The novel and the film created a controversy among the Bangladeshi community living in England because they didn’t recognise themselves in Monica Ali’s negative portrayal of the community as being uneducated, backward and rough, which was considered an insult. They claimed that the novel encouraged “pro-racist, anti-social stereotypes”.

Brick Lane is the story of the Bangladeshi Muslim community living post 9/11 in the East End of London but in particular, the story of Nazneen, her husband Chanu and Hasina, Nazneen’s good looking sister, who lives in Bangladesh and who was disowned by her family for eloping at the age of sixteen with her lover and marrying him. Hasina reveals her chaotic day to day life in Dhaka through a series of regular sweet, naïve and sometimes unintentionally funny, sometimes terribly sad letters sent to her sister in London in pidgin English.

Nazneen often goes back to her childhood in her little village in the countryside of Bangladesh, reminiscing about her happy, innocent and carefree childhood with her younger sister Hasina, which now contrasts with her miserable life in her council flat in a tall block in the London borough of Tower Hamlets.

Nazneen arrives in London at the age of eighteen, after an arranged marriage with Chanu, who is already established in London and who is unattractive and twice her age. She can’t speak English and has to adapt to her new life in a foreign country with a husband who, although basically kind-hearted, is frustrated for not being able to fulfil his dreams and carry his plans to fruition. He believes to be above most of the Bangladeshi community who are uneducated and lacking a great deal of culture.

Chanu resents the attitude of his superiors who fail to recognise his talent and ingenuity. He considers himself to be a gem in the rough and has a high opinion of himself which makes him a pompous, funny character despite his lucidity and his awareness of the conflict between the first and second generation immigrants, which, to his horror, was portrayed by his eldest daughter Shahana and which made him decide to repatriate his whole family back to Bangladesh.

The strong element of fate which is overwhelming in the novel is challenged, first by rebellious Hasina, who took her fate into her own hands by eloping with the man she loved and then by the submissive Nazneen who goes through different emotional conflicts: the never ending quest for fate and free will, her religious up-bringing and the cultural differences she faces by being a Muslim living in a secular big city.

She carried out small rebellious acts at the beginning of her marriage but her aspiration for autonomy started with her attraction to the handsome, young political enthusiast, Karim, which evolved into a physical and pecuniary independence and the discovery of her freedom of choice in a male dominated community.

The eighteen-year old, once subdued and obedient wife, matures into a forthright independent woman. She discovers her own force and will power, something she was unaware of. She will not be controlled by fate, she will take her own decisions, like not following her husband by going back home. She will remain in London, she will work and look after herself and her two daughters.

Nazneen believes in herself now and knows that she is capable of taking charge of her own destiny.

Brick Lane is a contemporary, and humane story, the characters are shown with all their complexities and are described realistically and in detail whether it’s Mrs Islam, the hypochondriac, evil and manipulative usurer, or Razia the friendly and strong will-powered neighbour, or Shahana, the refractory, provocative and westernised teenage-daughter, or the sweet second daughter, little Bibi who is even tempered, quiet and hard working.

Monica Ali’s Brick Lane is a post-colonial novel written with a great deal of compassion and optimistic hope.

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