Tag-Archive for ◊ outskirts ◊

Author:
• Sunday, March 01st, 2015

Juan Gabriel Vasquez was born on the northern outskirts of Bogotá, Colombia in 1973. He studied in Bogotá’s Anglo-Colombian school, then studied law in his native city at the University of Rosario. After graduating, he went to France to study Latin American literature at the Sorbonne in Paris from 1996 to 1998. He had in mind to pursue a literary career despite the fact that his father, who was a lawyer, wanted him, like his younger sister, to follow in his footsteps.

Vasquez has received several awards and prizes. In 2014 he received the International IMPAC Dublin award, as well as the Prix Roger Caillois in France and the Alfaguara Prize in Spain. He also received the Qwerty Prize in Barcelona for the best narrative Spanish language book and the Books and Letters Foundation Award in Bogotá in 2007 for best fiction book for Historia secreta de Costaguana, published in English in 2010. Vasquez is one of the most acclaimed writers, his books have been translated into several languages.

Vasquez has written a few novels as well as a brief biography of Joseph Conrad. He also translated works by E.M. Forster, John Dos Pasos and Victor Hugo to Spanish. After living in France and Belgium he now lives with his publisher and publicist’s wife and their young twin daughters in Barcelona.

The Secret History Of Costaguana is set between the nineteenth and early twentieth centuries. It’s a mixture of reality and fiction in which the narrator, the novel’s main protagonist, José Altamirano, addresses the readers and his daughter Eloisa as a lawyer pleading before a jury. He makes arguments recounting the period during which the construction of the Panama canal was underway and makes claims that Joseph Conrad’s depiction of this historical era was filled with falsehoods.

The Frenchman, Ferdinand de Lesseps, who successfully built the Suez Canal in Egypt, that opened in November 1869 after 10 years of construction, thought he could achieve the same success by building the Panama canal. The French began excavating in 1882 but hit by tropical diseases such as yellow fever and malaria which decimated the crew and after nine years of persistence, corruption, miscalculation, fraud and loss of about twenty thousand lives, the project failed. The French effort ended in bankruptcy and a scandal coupled with a court case in France against Ferdinand de Lesseps, his son Charles and other people involved in the project who were found guilty.

Notwithstanding this defeat, the USA’s interest in the Panama canal was sustained and under the presidency of Theodore Roosevelt, The Panama Canal Company sold all its property to the United States which completed the Canal. It was opened in 1914 and “Colombia guaranteed the United States complete control of a 10-kilometre-wide zone between Colón and Panama City. The cession was for a space of one hundred years and in exchange, the United States would pay ten million dollars”.

The Colombian, Miguel Altamirano, saw it all and after his death his illegitimate son José Altamirano continued to witness all these events. The father being more optimistic than his son believed in the Panama canal project and as a journalist kept writing how everything was running smoothly, deliberately omitting mention of the appalling work conditions and the deaths of the workers.

José Altamirano, disheartened and sickened by all he has been through, leaves Panama for London in 1903. Soon after his arrival in London he is introduced to the British writer, Joseph Conrad, who has some difficulties moving forward with his novel Nostromo. The story is centered around a silver mine instead of a Panama canal and Nostromo is an Italian expatriate. The setting is South America in the mining town of Sulaco, an imaginary port resembling Panama in the occidental region of a fictional country resembling Colombia which he calls: Costaguana.

José Altamirano will be of great help to Conrad by disclosing the oppression, revolution and armed conflict he witnessed, including the political conspiracies and corruptions during “the one thousand one hundred and twenty-eight days of relentless slaughter” which he endured there and which destroyed him psychologically, leaving him with a guilty conscience.

In Vasquez’s novel the British Joseph Conrad is portrayed as a character and when Conrad’s Nostromo is published in a weekly magazine in 1904, Altamirano is appalled to note that the author has not mentioned him anywhere in his story. He says to him in anger: “You, Joseph Conrad, have robbed me” he waves “the Weekly in the air, and then threw it down on his desk. Here he whispered…I do not exist…My tale lived there, the tale of my life and my land, but the land was another, it had another name, and I had been removed from it, erased…obliterated without pity.”
Conrad answers him: “This, my dear sir, is a novel” it’s not the story of your country, “it’s the story of my country. It’s the story of Costaguana.”

Through the voice of José Altamirano we recognise the voice of Vasquez who says: “History is a tale somebody has told us from a biased point of view; it’s only one possibility among many. Novels give another version, recover truths that have been repressed. The task is to make Latin America’s past come alive so we can gain some control over our future.”

This truth will be delivered by Vasquez himself. As an amendment to Joseph Conrad’s Nostromo, Vasquez provides his readers, without “transformation or distortion”, the real history of this dark and tumultuous period of his own country which led Colombia’s province of Panama to secede in 1903, as well as the root and rift between the conservatives and the liberals during these bleak years.

Vasquez novel is a reaction against the magical realism genre, commonly used by south American novelists. Altamirano says derisively in the novel: “this is not one of those books where the dead speak or where beautiful women ascend to the sky, or where priests rise above the ground after drinking a steaming potion.”

The Secret Story Of Costaguana is a well documented and informative novel about the history of Colombia during the period of the building of the Panama canal. José Altamirano is an astute and sardonic story-teller, the only flaw of the book being the plethora of names of characters and politicians the reader needs to keep up with, a number that is well above average even by the standards of South American literature.

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Author:
• Wednesday, December 24th, 2008

Alexander McCall Smith was born to a Scottish family in Bulawayo in Zimbabwe (Rhodesia) in 1948, the youngest of four children. His father worked in Rhodesia as a public prosecutor, in what was then a British colony. His mother wrote a number of unpublished manuscripts. After finishing school in Rhodesia, McCall Smith moved to Scotland to study Law at Edinburgh University.

After graduating, he worked as a professor in Scotland,then returned to Botswana to teach law at the University that he managed to create.

Alexander McCall Smith is an expert on genetics, he held roles in a number of national and international Bioethics Commission of UNESCO. He retired as a professor of medical law at Edinburgh University in 2005 due to his belated success as a writer. His other commitments could not be pursued because he preferred to dedicate his time to writing books and playing bassoon in an amateur orchestra that he co-founded in 1995, called “The Really Terrible Orchestra”. He currently lives in Edinburgh with Dr. Elisabeth Parry whom he married in 1982 and their two daughters.

McCall Smith twice received the Booker Prize for The No1 Ladies’ Detective Agency in 1998 and in 2004 he was named “Author of the Year” by the Booksellers Association and British Book Awards. In 2006 he was appointed a CBE -Commander of the Order of the British Empire- for services to literature and was awarded the Honorary Degree of Doctor of Law in Edinburgh in 2007.

Alexander McCall Smith is a prolific and diverse writer; he produced an abundant and varied number of books ranging from children tales to picture books to legal text books to novels. But he became internationally known through his Botswana detective series first published in1998. The series in English sold millions of copies round the world and was translated into many languages. It was made into a television series and broadcast on BBC1 in 2008.

Tears of the Giraffe published in 2000 is the second Botswana detective story taken from the author’s Botswana series of nine novels. The first was The No. 1 Ladies’ Detective Agency. Then followed Morality of Beautiful Girls in 2001, The Kalahari Typing School for Men 2001, The Full Cupboard of Life 2003, In the Company of Cheerful Ladies 2004, Blue Shoes and Happiness 2006, The Good Husband of Zebra Drive 2007, The Miracle of Speedy Motors 2008.

McCall Smith was born and raised in Africa, which helped him in his writing to successfully convey the essence of the African landscape, culture and society in its real day-to-day life and in all its complexity especially between the old and the new traditions and values. He doesn’t omit to describe, through his well developed and uncomplicated characters, the genuine Botswanan’s sense of courtesy and dignity which impressed him when he lived there and which stand out more in his books than the detective stories.

His style of writing is clear, passionate, charming and warm hearted which make his novels very popular even in Botswana where people liked the way the author portrayed their world. That is because they probably felt that, despite being a foreigner, he understood deeply the Botswanan’s nature.

Precious Ramotswe reminiscent of Agatha Christie’s miss Marple, is the star of the series, she owns the first female private detective agency in Botswana and probably in the whole of Africa. She deals with problems related to human lives more than serious crimes. An American mother who missed her son in a commune on the outskirts of the Kalahari desert ten years ago, seeks out Mma Ramotswe’s help to discover how and why her son died.

Mma Ramotswe, being kind and having lost a child in the past, accepts the sterile case out of compassion. The second case, a butcher who wants to know if his wife is cheating on him. The detective gives the simple case to her, now promoted secretary to the job of assistant, to investigate. Makutsi discovers that the wife has been cheating on her husband and that their son is not his. The moral issue arises: is it not better to protect an adulterer wife to avoid greater damage to the son’s future? There follows the debate between Mma Ramotswe and Makutsi over a cup of bush tea, about doing wrong in order to attain the right outcome.

Precious Ramotswe was not trained for detective work, yet she is successful because she relies mainly on her accurate intuition, her intelligence and wisdom and also on her valuable Principles of Private Detection manual. She is an old fashioned lady with old fashioned principles, just like the two other main, endearing characters in the book, her kind fiancé Mr J.L.B. Matekoni, the master mechanic of Tlokweng Road Speedy Motors and her trustworthy secretary/assistant Mma Makutsi.

The deep and detailed description of the main characters reveals a very positive portrait of the Botswanan people. They are hospitable, compassionate and value genuine love, taking their commitments seriously.

The author reveals to the readers at the end of the novel the meaning of its poetic title, when Ramotswe solves the mystery of the dead American son and offers the mother a traditional Botswana basket, woven with the giraffes’ tears; the only present a giraffe can offer.

In one of his interviews Smith admits that when he wrote the first book of the series The No. 1 Ladies’ Detective Agency, he became so fond of the character of Precious Ramotswe that he could not let her go.