Francesca Marciano was born and grew up in Rome, Italy in 1955. Her grandfather was a well-known Italian writer and winner of literary awards. Since her childhood Francesca was dreaming of becoming a writer like her grandfather but she gave up her university studies and went to New York to have a six-month film course and ended up staying six years.
She worked as a producer/director for documentaries for the Italian television before she found out that her real vocation was film-making. She also acted in some films and became a writer.
Her first holiday trip to Zanzibar made her fall in love with Africa. Since then, she spends her time between Rome and Kenya, where she has a residence.
Francesca Marciano has written three novels to date :
The End Of Manners in 2009
Casa Rossa in 2003
Rules Of The Wild in 1998
The beautiful young Italian, Esme, is the main character and the passionate, self-observing narrator of Rules Of The Wild. The story is set in modern Kenya and relates the every day life of western expatriates who live a superficial, decadent, purposeless existence in a closed circle community. They get drunk, consume drugs and are devoid of morals. They live in Kenya and yet are completely cut off from the native culture of the place they call home but don’t seem to care. They don’t want to leave because they are captured by the picturesque beauty of the country and because of all the privileges and freedom they have. They don’t contribute to the Kenyan life, they don’t even make African friends, they only have cheap African labourers. The colonial attitude still prevails among the white society in Africa.
The expatriates are aware without being deterred, that they will never belong to Kenya nor be part of it despite falling in love with it. Just like Esme who surmounts her torn feelings towards her two lovers, Adam and Hunter, knowing well that she will never “belong” to either of them.
Esme is first attracted to Adam, the gentle, handsomely rugged, safari leader, a second generation Scot, who is captivated by the fascinating landscape and wild nature and would like to transmit this passion to Esme.
While living with Adam she is charmed by the conceited British war correspondent, Hunter, who after reporting the Somalian and Rwandan genocides becomes cynical about the harshness and injustice in these breathtaking, unspoilt East African countries and transmits the horror of what he has witnessed to Esme, through his copious accounts.
After much wavering between her two very dissimilar lovers, after much suffering and introspection, Esme discovers that her passion lies elsewhere. It lies in the miracle generated everyday by the swooping of birds over the still water, the movement of the clouds, the pink and purple sunrise and the stunningly dramatic orange sunset. Every day this magnificent, heavenly display looks as if perceived for the first time by the observer.
Esme discovers that she feels reborn and free by living so close to such enthralling virgin landscape which is a constant wonder, because she senses that she is part of it. She realises that she is in love with Africa more than anything or anybody. At last, after her wearying quest, she attains her flawless, “elsewhere” and extirpates herself from the past in order to live in harmony and self-abnegation with her surroundings.
Unfortunately, this striking paradisaical setting is heavily obscured by the sad crude reality of how the white Westerners still sustain the colonialist mentality in the African countries and by the rape, pillages and blood baths taking place in the neighbouring Rwanda and Somalia. A dark side of human nature juxtaposed to the beautiful images of an untamed luxuriant African panorama.