Tag-Archive for ◊ journalists ◊

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• Saturday, May 23rd, 2015

Maggie O’Farrell was born in Coleraine, Northern Ireland in 1972 but grew up in Wales and Scotland. She worked as a teacher, art administrator, as a journalist in Hong Kong and a Deputy Literary Editor of The Independent On Sunday newspaper. Presently she works as a full time novelist.

O’Farrell has written six novels thus far. Her first: After You’d Gone, published in 2000, won her the Betty Trask Award in 2001. For her third: The Distance Between Us, published in 2004, she won the 2005 Somerset Maugham Award. As for her fifth novel: The Hand That First Held Mine, published in 2010, she won the Costa Book Awards. O’Farrell’s latest novel: Instructions For A Heatwave, was published in 2013. She lives in Edinburgh with her novelist husband, William Sutcliffe and their two children.

The Hand That First Held Mine is the story of two women, two destinies at two different epochs which are skilfully intertwined by the author. In the fifties, the rebellious, twenty-one-year graduate, Alexandra Sinclair, leaves home in Devon, England to experience a new life in central London, following a chance meeting with Innes Kent, the ebulliently charming thirty-four-year old art dealer, journalist, critic and self-confessed hedonist.

Under Innes Kent’s love and guidance, the young, impetuous Alexandra becomes the newly emancipated, Lexie and experiences for the first time working with Innes and other journalists in the offices of “Elsewhere”, the avant-garde magazine, as well as having an early taste of bohemian life in Soho. The clever, motivated, Lexie will quickly learn to appreciate art and to become a successful art critic and reporter.

Lexie is in love with Innes and decides to live with him in his apartment following his insistence. They are happy together, the only blemish being Innes’s estranged wife, the opportunist, Gloria and her submissive young daughter, Margot. Later in the story, after Kent’s untimely death, mother and daughter in unison take their revenge on Lexie and her son Theo. Margot will marry Felix, the journalist, who is Lexie’s colleague as well as occasional lover and Theo’s father.

Margot’s revenge continues after Lexie’s premature death, when little Theo comes to live with his father, Felix and herself. Margot – who was unable to have children – changes the child’s name from Theo to Ted and pretends to be his real mother. Margot and her mother Gloria keep the family’s secret tightly hidden from him. Felix, being a weak character accepts to go along with their wicked deceit. This will create Ted’s instability and torment as an adult, especially when he himself becomes a father.

A generation later, the thirty-one-year-old Elina Vilkuna, a Finnish painter, is recovering from a traumatic first childbirth by cesarian which nearly killed her and is about to destroy her relationship with her thirty-five-year old boyfriend – and father of her newly born Jonah – the film editor, Ted, who has been behaving oddly ever since.

Following her release from hospital with her newly born son, Jonah, Elina feels bewildered. She appears to have lost all memory of her dreadful delivery and seems to be living in a world of make believe. She makes the effort of trying to recall what happened and can remember in little strokes, like when her red scarf falls, it reminds her of the “jets of blood…in the scrubbed white of the room”.

As Elina is starting to emerge slowly from her amnesia and state of lethargy, Ted’s childhood is returning to him frequently now, in a blurred, handicapping form. He is having an awakening of his long-buried subconscious and is desperately looking for a guiding hand as a beacon to shed some light on all these inexplicably shadowy areas from his infancy which don’t correspond to the stories that “his mother”, Margot, told him.

Being predisposed to hypnotic periods, there are gaps in Ted’s memory. There are many old memories that contradict his other childhood and he is under the impression of having lived two childhoods. There are things he wants to remember but is unable to. He recalls some scenes from the past, a few puzzling flashbacks, like the first outlines on a canvas, he needs to complete the painting, which is difficult with lots of mysteries left unanswered by his parents.

Feeling guilty after his son’s deep depression and collapse, Felix reveals the whole secret story to Elina. He confesses his culpability and remorse and asks her to mediate between him and his son in order for his son to forgive him for concealing the truth from him for all these years.

The two stories run in alternating chapters between Lexie and Elina, without being connected at first, but towards the end the author, with a twist, thanks to her skilful magic wand, makes them converge into one without any exertion but with extreme intensity, compassion and sensitivity.

The Hand That First Held Mine is about the destructive power of the unspoken among members of the same family and the impact on people’s life due to the loss of a family member. The power of the past in re-modelling the present and transcending it, as well as the gratification and richness that parenthood brings to a mother and a father but also how the birth of a first child can change everything in one’s life. It is also about a mother’s deep love and sacrifices – Lexie and Elina are two ambitious career women who try to re-adapt after being jolted to so many responsibilities with their first new-born.

In one of her interviews, Maggie O’Farrell says: “I was interested in writing about new motherhood … the shock and the emotion and exhaustion of it … which I haven’t read much about in fiction”. She also says she couldn’t have written this novel had she not experienced motherhood herself. This exact feeling is described in the novel at the time Lexie knew she was drowning: “She didn’t think in that moment of herself, of her parents, her siblings, of Innes, the life she left behind when she stepped into the waves … As the waves thrust her under, she could think only of Theo” her beloved son that she won’t experience the pleasure of seeing growing up.

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Category: Book Reviews  | One Comment
Author:
• Saturday, February 26th, 2011

Susan Isaacs was born in 1943 in Brooklyn, New York. She received her education at Queens college. She worked as a senior editor at Seventeen magazine, which she had to give up after the birth of her first child and worked from home as a freelance.

Her breakthrough came with her first novel Compromising Positions, published in 1978 which was chosen by the Book of the Month Club, became a best seller and was later made into a film. In the 1980s she wrote the screenplay for Paramount’s.

She received Writers for Writers Award, The Marymount Manhattan Writing Center Award and the John Steinbeck Award. She is the chairman of the board of literary organisation, Poets and Writers and was a president of Mystery Writers of America. She is also a member of the National Book Critics Circle, the Creative Coalition, PEN, The American Society of Journalists and Authors, the International Association of Crime Writers and Adam Round Table.

Susan Isaacs, New York Times best selling author and critically acclaimed, has written several novels which were translated into many languages. She has also written essays, screenplays and political articles. She has reviewed books for The New York Times, the Los Angeles Times, The Washington Post and Newsday.

She married a lawyer in 1968 and became a mother of a son who is now a corporate lawyer and a daughter who became a philosopher. She now lives with her husband in Long Island.

Any Place I Hang My Hat was published in 2004.
Her latest novel, As Husbands Go was published in July 2010

Any Place I Hang My Hat is about Amy Lincoln, who is the main character and also the narrator.
Amy Lincoln is an intelligent, hard working, self made, witty young woman. After obtaining degrees from an exclusive boarding school and excellent universities, such as Harvard and Columbia school of journalism, by acquiring scholarships, Amy succeeds in winning a good job as a political reporter in the serious, prestigious weekly magazine, In Depth. She manages to take herself in hand, pull herself out of the dreary and poor beginning she had and propels herself into a brighter future with a promising stature.

Life hasn’t been kind to Amy, she was abandoned by her mother soon after birth and separated from her father, Chicky, who was constantly in prison due to petty theft. Amy was brought up in one of the poor areas in New York by her shoplifter paternal grandmother, Lil, a part time leg waxer in a beauty saloon for privileged women.

Due to the harsh reality Amy had to face since her birth, she became vulnerable as well as lonely but neither helpless nor without resources. Covering a political fund-raising event, Amy discovers a college student, Freddy Carrasco, who claims to be an illegitimate son of a Democratic presidential candidate, senator Bowles. After meeting with Freddy Carrasco, befriending him and listening to his story, Amy’s long buried yearning to find out the whereabouts of her mother and her maternal family, grows stronger. Now that she is approaching her thirties she goes hunting for the truth and seeking answers about her past before starting a family of her own.

Through her quest and using her reporting competence, she finds a way to arrange a meeting with her grandmother and then her mother. After the confrontation, Amy will discover who she is and what she is, which will help her psychologically and mentally to find “a place to hang her hat”. This place will be with her ex-boyfriend, John Orenstein, the documentary film maker, that she has been longing to go back to.

Susan Isaacs explains to her readers the meaning of the novel’s title when referring to her friend Tatty going back to live with her parents after her failed marriages, although they didn’t care about her. Tatty “claimed she’d come back for the kitchen where she made her cakes. I’d often suggested she was still seeking the love these two ought to have had for her, being her parents. But maybe it was simpler. Everyone needs a place to hang her hat.”

In her book the author adopts a great deal of sarcasm, stereotype characters and sometimes very funny passages to illustrate the interesting personality of her heroine. Despite being anticlimactic, Any Place I Hang My Hat is a pleasant, light hearted, easy to read novel.