Tag-Archive for ◊ confrontation ◊

Author:
• Friday, May 23rd, 2014

Peter Mayle was born in Brighton, England in 1939, the youngest of three children. He was educated at Brighton College, England, then at Harrison College Barbados, to where his father had been transferred as a Foreign Office employee.

Mayle left school at the age of sixteen and returned to England. In 1957 he was a trainee at Shell Oil in London before working as a creative director for BBDO, the world-wide advertising agency network based in New York City. In 1975 Mayle left his job to dedicate his time to writing books and in 1986 decided to move to the south of France.

A Year In Provence received the Best Travel Book Of The Year award in 1989 and Author Of The Year prize in 1992. Mayle was made a “chevalier de la légion d’honneur” by the French government in 2002 for his cultural contribution. He lives with his third wife and their two dogs in Lourmarin (Luberon) in France.

Peter Mayle has written several books that have been translated into a number of languages as well as articles for periodicals. A Year In Provence became a BBC TV mini-series in 1993 and A Good Year was made into a film directed by Ridley Scott and released in 2006.

The Marseille Caper is the second novel of a trilogy: The Vintage Caper in 2009, The Marseille Caper in 2012 and The Corsican Caper in 2014.

A tender for building on the last remaining seafront plot in sunny Marseille called “Anse Des Pêcheurs”, is the subject of a three-way dispute between Francis Reboul, the shady French billionaire who is hiding behind his American front-man, Sam Levitt, the sleuth in the Caper trilogy, William Wapping, a corrupt and bankrupt English Lord and former bookmaker cum thug, and Eiffel, a Paris based company represented by madame Caroline Dumas.

Elena Morales, the alluring, insurance agent from Los Angeles and Sam Levitt’s companion, is also invited by Francis Reboul to join Levitt as his guest in Marseille.

Sam Levitt presents himself to the members of the committee as an architect from an American company interested in the building project. William Wapping, who has been bribing his way through everything he wanted, will try bribery to win the “Anse Des Pêcheurs” project but to no avail. That is when he decides to play dirty in order to reach his target. When he discovers that intimidation brings no result he goes further by having his thugs knock Philippe, the journalist friend of Sam Levitt, off his scooter and as a last resort they kidnap Elena Morales.

Apart from the confrontation between the contenders and all the thrills involving the two finalists, the author takes the reader through the charming old narrow streets of old town Marseille and its old port, not forgetting the history of the whole of the south of France, recounted by Levitt which made Elena call him “a walking guide book”.

The author also describes good and unpretentious bistros serving delectable food as well as gastronomic restaurants with sophisticated delightful dishes and good wine, not to mention the constant flowing champagne and various pastries and bakery items.

The author describes French epicurism in detail, the slow pace of life in the idyllic sunny Mediterranean south of France and the “joie de vivre” encountered in this part of the world where food is taken very seriously.

An easy, enjoyable and entertaining, light-hearted read with a simple plot and a happy ending, written with a great deal of fondness by a south of France lover and a “bon vivant”. The book portrays the indulgence in a good life used to its fullest, a sort of an escapism from the everyday hectic routine elsewhere in the world.

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Author:
• Friday, February 24th, 2012

Ismail Kadare was born in Gjirokastër in Southern Albania in 1936, into a non-religious family. His father was a civil servant and his mother was from a wealthy family. He went to primary and secondary school in Gjirokastër followed by language studies at the University of Tirana in the faculty of history and philology where he obtained a teaching diploma in 1956. He continued his studies at the Maxim Gorky Institute of World Literature in Moscow until 1960.

Kadare was a member of the Albanian parliament from 1970 to 1982, but after some strife with the authorities in 1975 over a politically satirical poem, he was not allowed to publish any of his work for three years. He was also accused by the president of the league of Albanian Writers and Artists of intentionally avoiding to write about politics by writing mainly about history and myths. This was missing the point that Kadare preferred to use these means as an allegory to tackle the current political issues without fearing the repercussions.

Kadare, who is an eminent figure in Albania since the sixties, sought and obtained asylum in France before the fall of communism in his country. He stated at the time that: “Dictatorship and authentic literature are incompatible…The writer is the natural enemy of dictatorship”. Since 1990 he lives both in Paris and Tirana.

Kadare is a prolific writer. His first collection of poetry was published in 1954 and his first novel, The General of the Dead Army, was published in 1963. He has also written essays and short stories.

His most recent book, Ghost Rider, was published in 2011 and his novels have been published in more than forty countries. In 1992 he won the Prix mondial Cino Del Duca and in 1998 he was the first Albanian to be presented with the prestigious French Legion d’Honneur. In 2005 he won the inaugural Man Booker International Prize and in 2009 he won the Prince of Asturia Award of Arts. He has frequently been a candidate for the Nobel Prize for Literature.

In Albania The Siege was first called The Drums of Rain, (the title later given to the French edition) but was at last published in 1970 in Albanian under the title The Castle, at a time when Albania was still under the dictatorship of Enver Hoxha. The English version, called The Siege, was published in 2009.

The story which takes place in the early fifteenth century, is of an imaginary siege of an unknown Albanian fortress besieged by the Ottoman Turkish army during the time of George Castrioti. Historically, George Castrioti, known as Skanderbeg, meaning Lord Alexander or Iskander Bey by the Turks, has been the national Albanian hero who bravely fought the mighty Ottomans during the peek of their strength for more than twenty years, when they were the most feared army of the time. He stood as the fierce saviour of Christianity against Islam. It was the confrontation of two cultures and two different religious beliefs, the crescent against the cross, the nowadays so-called: “clash of civilisations”. The historical fact is that after Castrioti’s death in1468, Albania was defeated and became part of the Ottoman empire and is today a predominantly Muslim European Country.

In The Siege, Tursun Pasha, the commander in chief of the Ottoman army, is commissioned to encircle the Albanian fortress which stands amidst fields, assail its people and subjugate them. His fate depends on the success of this mission. He’d better be successful or else commit suicide to make amends for his defeat. As the Quartermaster says to Saruxha: “If he doesn’t win this campaign, his star will dim for good… I am sure of it. If he is beaten, the best he can hope for is banishment for life. As for the worst… The Quartermaster drew a line with his forefinger under his throat”. Tursun Pasha never confronts Skanderberg whose presence is implied in various parts of the novel. He hardly appears in the arena but is acting behind the scenes through his fighters.

Before every new chapter, there are two pages narrating the viewpoint of the non-characterised besieged. Otherwise the whole story is related from the Turks’ angle by several characters, the nameless Quartermaster General in charge of the logistics, the engineer Saruxha, the architect Giaour, the credulous and nervous historian-chronicler Mevla Celebi, the poet Saddedin, the campaign doctor Sirri Selim and the Pasha’s harem who joined the campaign but whose members are kept confined to their tent and guarded by a eunuch.

The story of The Siege, published in 1970, seems to be meant by the author (and for those who can read between the lines) as an indirect representation of the difficult times the Albanians are going through. It was during the rule of the totalitarian, Enver Hoxha and the threat of the Soviet Russians, who were at Albania’s threshold in Czechoslovakia, during the cold war period.

The author, in his novel, describes masterfully and in great detail the brutality and bloodshed in wars, also all the intricacies of a campaign of this magnitude and all that it involves. He portrays with great authenticity the psychology of the invaders and the besieged in this war of attrition: the sustained attacks by the relentless Turkish army and the steadfastness of the stoic Albanians who will not be subdued.

Although it’s an historical fact that the Ottomans ended up conquering Albania, does that make victory perpetually on the side of the technologically advanced and the brutal? Not always according to the story, which goes against historically verified truth. The author wanted to prove an ambiguous point which is not clarified. Maybe out of patriotism and pride or implying that the Enver Hoxha regime, no matter how powerful, will come to an end one day.

The Siege is an engrossing novel, well written with a lot of food for thought, especially when looked upon from today’s perspective.