Tag-Archive for ◊ union ◊

Author:
• Saturday, June 14th, 2014

Arto Paasilinna, one of seven children – five sons and two daughters – was born in 1942 in Kittilä, Lapland in Finland to a civil servant father and a housewife mother. He studied at the General and Elementary School Line at the Lapland Folk Academy.

As a young teenager, Paasilinna worked in various jobs. One of them was as a farm labourer and a wood cutter. He says: “I was a boy of forests, working the land, timber, fishing, hunting, the whole culture that is found in my books”. Later he worked as a journalist, writer and editor for various newspapers and literary magazines.

In 1975, finding journalism “more superficial and meaningless”, he decided to dedicate his time to writing his novel, The Year Of The Hare. He sells his boat to finance the novel which becomes an instant success. From now on Paasilinna is able to live off his writing. He becomes the most acclaimed writer in Finland and in other Scandinavian countries. He is a prolific writer and millions of his books have been sold worldwide.

The Year Of The Hare, Arto Paasilinna’s favourite and most famous novel, has been translated into several languages. It was first published in Finnish in 1975 and in English in 1995. The Year Of The Hare was selected by the Unesco Collection of Representative Works which funded the English translation by Herbert Lomas. It has won three major international awards and was twice adapted for feature films: a Finnish film in 1977 named “Jäniksen vuosi” and a French version in 2006 called: “Le lièvre de Vatanen”.

The middle-aged Finnish journalist, Kaarlo Vatanen, and his middle-aged colleague photographer,“two dissatisfied, cynical men” are driving back to Helsinki from Heinola, after an assignment for their weekly magazine, when their car hits a leaping leveret. The photographer stops the car and Vatanen goes looking for the wounded animal in the nearby forest. He finds it with a broken left hind leg and holds him in his arms for comfort before nursing him.

In the Chinese zodiac, the rabbit – cousin of the hare – has represented Hope for Chinese people for a long time and in the Chinese legend, the moon goddess, Chang’e, had a rabbit as a pet.

Vatanen, who is going through a middle-age crisis, instantly senses a bond between him and the leveret, who will become his inseparable companion. From this moment on, Vatanen finds himself magically connected with nature away from the strain, turbulence and rampant consumerism of urban life which he can no longer endure.

Vatanen feels free from all constraints for the first time in his life. He decides to sell his possessions, abandon his wife and his job after realizing that he neither cares for his unloving wife nor for his empty, boring job and travels across Finland’s wild nature away from civilization. Vatanen chooses the path of no return with no regrets, seeking an adventurous new life. A fascinating exchange occurs: the conventional Vatanen becomes an untamed man while the wild hare turns into a domesticated animal. In each others company, man and animal will help one another to heal their afflictions: psychological for one and physical for the other.

During this one year several surreal events happen, Vatanen lives doing odd jobs, repairing a hut or cutting logs in the forest as well as fighting a ferocious forest fire. He even gets engaged to Leila, an attractive young lawyer, while being drunk but once sober he surprisingly has no recollection of taking such an important decision. While living and working in the forest, Vatanen has to fight a ravenous, cheeky raven and a dangerous, vicious bear and follow it across the border to the Soviet Union which leads to his arrest by Russian soldiers accusing him of spying.

The satirical and cynical Year Of The Hare is a story of a dissatisfied, embittered man who takes his courage in hand by giving up everything to fulfill his dreams in the hope of attaining a serene life. It’s a quest for freedom and a journey of exciting adventures. Consequently, this tale unleashes the dream that lies deep inside each one of us: the search for the meaning of life and the yearning to lead a simple harmonious existence in peace with nature beyond the bounds.

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Author:
• Thursday, January 31st, 2008

Anita Shreve was born in Dedham Massachusetts in 1946 from an airline pilot father and a housewife mother. She graduated from Tufts University. She worked as high school teacher at Amherst College, Massachusetts. She started writing her novels while working. She was awarded an O. Henry Prize in 1975 for her book “Past The Island, Drifting”.

She then stopped writing fiction in the late 1970s and worked as a journalist in Nairobi, Kenya for three years. She wrote for Quest magazine, US magazine, New York Times and New York magazine. She decided to give up journalism and dedicate herself full-time to writing fiction. Her books were translated into many languages and she won The Pen L.L. Winship Award and the New England Book Award for fiction. She currently lives between Longmeadow Massachusetts and New Hampshire.

Anita Shreve wrote several novels :
Eden Close in 1989.
Strange Fits of Passion in 1991.
Where or When in 1993.
Resistance in 1995.
The Weight of Water in 1997.
The Pilot’s Wife in 1998.
Fortune’s Rocks in 2000.
Sea Glass in 2002.

She wrote non-fiction books :
Dr. Balter’s Child Sense in 1985.
Dr. Balter’s Baby Sense in 1985.
Working Woman in 1986.
Remaking Motherhood in 1987.
Who’s in Control in 1988.
Women Together, Women Alone in 1989.

Kathryn is the pilot’s wife and she is the main character of the novel. The story is about her tragedy, her distress, her love, her deceit and her rage, and how she has to deal with the initial shock when she is woken up in the middle of the night by a knock on the door to be told by Robert Hart, the pilot’s union employee, that her husband died in a plane crash with 103 passengers, 10 miles off the coast of Ireland and that there were no survivors.

The novel is divided in two parts, the first half describes in simple, clear prose Kathryn’s struggle to deal with her shock, loss and grievance, while trying to pull herself together for the sake and protection of her 16-year old daughter Mattie, with the help of the kind Robert Hart.

This part holds some hints to prepare readers for what follows in the second half which is full of unexpected painful revelations, challenging Kathryn’s prowess to deal with the truth of her marriage and what has become of it. What appeared at the beginning to be a sad and quiet story turns out to be a gripping one, a thriller combined with the difficult defiance between loss, love and betrayal but also about some hope for the future.

Anita Shreve manages to make a good, captivating read out of a banal, common theme of betrayal and adultery.

Kathryn finds it very hard to bring together her happy memory of a stable, peaceful and uneventful married life in a beautiful home overlooking the ocean in Ely, New Hampshire, a bright teenage daughter, with a husband she cared for dearly, and thought that she knew, with the harsh deceitful reality of who Jack really was. A mixed feeling of grief and danger which triggers her determination to seek the truth at any cost after hearing all the unbelievable rumours, and after discovering various pieces of paper in Jack’s pocket and in his bath-robe with initials and phone numbers which she knew nothing about. She was ready to go through it all even if its outcome turns out to be devastating for her. In any case Kathryn knew that nothing will ever be the same again.

Anita Shreve portrays Kathryn’s confusion and disbelief in switching the chapters constantly from the present with all it’s unpleasantness and cruel devastation, to flashes of the serene, tranquil and more reassuring past. She has masterfully succeeded in conveying Kathryn’s feelings by contrasting the two lives through juxtaposition.

Anita Shreve’s books are often categorized under “women’s novels” due to her acquired art of describing women’s distressful feelings and sensibilities. The Pilot’s Wife appears to be a puzzle that Kathryn tries throughout the novel to unravel piece by piece. She thought she knew her husband but found out that she was living with a complete stranger she knew nothing about.

The readers are aware of that through what Mattie was telling her mother about the rumour that the pilot committed suicide : “Mattie you knew your father.” “Maybe”. “What does that mean ?” “Maybe I didn’t know him” Mattie said. “Maybe he was unhappy”. “If your father was unhappy, I’d have known.” “But how do you ever know that you know a person ?” she asked. What Kathryn didn’t know is that no matter how well you know a loved one intimately, there is always a little secret garden that each one keeps to oneself.

After meeting Muire Boland, Jack’s second wife and seeing their two children, Kathryn was overwhelmed with the sad and crude reality of her suspicion, which led her to drive all the way to the Irish coast, where the plane crashed. She decided to unburden herself from the weight she was carrying by throwing her wedding ring into the sea to join Jack at the bottom of the ocean. She wanted a new start by getting rid of the past and like that the healing operation can take place.

The Pilot’s Wife is an easy, readable book, the style is clear and simple. The plot was progressing well but then the author decided to end the story abruptly leaving a couple of loose threads untied.
The involvement of Jack with the IRA which led to the plane explosion was not explained sufficiently, and the relationship between Kathryn and Robert Hart was left undeveloped.

Anita Shreve was asked in an interview where did she get the idea for The Pilot’s Wife? She answered : “A novel is a collision of ideas. Three or four threads may be floating around in the writer’s consciousness, and at a single moment in time, these ideas collide and produce a novel… I overheard a conversation between a pilot and a woman at a party. Something he said lodged in my consciousness and wouldn’t go away. The thing he said was : When there’s a crash, the union always gets there first. He meant that when there was a crash of a commercial airliner, a member of the pilot’s union made it a point to get to the pilot’s wife house first. There are a lot of reasons for this, the most important of which is to keep her from talking to the press. And there was a collision of ideas.” which produced The Pilot’s Wife.