Tag-Archive for ◊ big problem ◊

Author:
• Sunday, March 30th, 2014

Marie Ndiaye is a French national, born in 1967 in Pithiviers, France to a French mother and a Senegalese father. Her parents separated when she was one-year-old with her father leaving for Africa and her eldest brother and herself being brought up in the Parisian suburb of Bourg-la-Reine by their teacher mother.

After finishing primary and secondary schools, NDiaye went to the Sorbonne to study linguistics, which led to her obtaining a grant from the French Academy to stay in the Villa Médicis in Rome.

NDiaye started writing in her teens with her first novel, “Quant au riche avenir”, published in 1985 when she was eighteen years old. She is the most widely read and critically acclaimed, living French writer. To date she has written adults’ and children’s novels, short stories, plays, an essay and a screen play. She received the prix Femina in 2001 for “Rosie Carpe” and the distinguished prix Goncourt in 2009 for Three Strong Women. Her stage play: “Papa doit manger”, became part of the repertory of the prestigious, Comédie Française in 2003.

Marie NDiaye left France in 2007 after Nicolas Sarkozy became president and currently lives with her husband and their three children in Berlin.

Three Strong Women was originally published in French in 2009 and in English in 2012.

Three women, three different fates and two countries: France and Senegal. In the three novellas that form this book, three women: Norah, the lawyer, Fanta, the former literature teacher and Khady Demba, the uneducated servant who becomes a childless widow, all fight against the adversity of life with an unparalleled obsessive determination.

The three stories are loosely intertwined. When Norah, in the first story, is urgently called by her estranged, unloving, overbearing, uncaring father, to leave Paris and join him in Senegal to defend her imprisoned brother, Sony, in court, she meets Khady who works in her father’s house as a maid. Norah is in her late thirties, a successful lawyer in Paris and has a seven-year-old daughter, Lucie. Norah has a complicated life. She has been living a frustratingly unhappy year of her life with her unruly, unemployed, German partner, Jakob, and his seven-year-old daughter, Grete.

In the second story, the Senegalese, Fanta, like her husband Rudy, a French literature teacher in the reputable lycée Mermoz in Dakar, has to quit her job for a teaching position in France promised by Rudy. She follows her disgraced French husband to his native province, la Gironde, in the south west of France with their young son Djibril. Once in France and without a job, Fanta becomes unhappy and reclusive. We learn about her through her lonely failure of a husband, Rudy, who feels remorse for inflicting his low self-esteem torment on his wife. He is depressed, paranoid and suffers from chronic haemorrhoids.

The same Khady Demba, the maid in the first story reappears a few years later in the third story as a destitute, childless widow. She is forced by her in-laws to emigrate to France and send them money after receiving help from a distant cousin, Fanta, who is regarded as being rich because she is teaching and therefore earning a good salary.

Khady Demba, like Norah and Fanta, is not easily deterred in the face of adversity. With an imponderable pride and a discreet unshakeable assurance, she keeps telling herself: I am me, Khady Demba. She is young, healthy and unstoppable. She knows she has nothing, really nothing to lose and additionally she has been told by her mother-in-law before leaving, that if things go wrong she is not to return back to live with them.

The author gives an insight into three types of migration between Africa and Europe and in the case of Khady Demba, the big problem of loss of life among the “Boat people” who are putting themselves in danger in the hope of better living conditions in “rich” European countries.

Through her lengthy (paragraph length) sentences and her incomparable style of writing, NDiaye describes in depth and with great accuracy, in her triptych, the suffering, unhappiness, despair and endurance as well as the distress and painful life of three women. The three protagonists don’t share the same background but nevertheless have a determination for survival and enduring hardship in common, in order to reach their target and impose their identity in a patriarchal world.

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Author:
• Friday, October 24th, 2008

Susie Vereker, daughter of an army officer, was born in the Lake District in northern England. She spent a great deal of her life travelling, first with her parents and later with her diplomat husband. She was in Germany, Thailand, Australia, Greece, Switzerland and France, and spent much of her life trying to adapt to the countries and their traditions.

She became a widow in 2001 after a long and happy marriage, has three sons, and now lives in a small Hampshire village in the south of England. Susie Vereker was nominated for the RNA Foster Grant Award 2006, for her novel Pond Lane and Paris.

Susie Vereker has written three books to date:
Pond Lane and Paris published in 2005.
An Old-Fashioned Arrangement published in 2006.
Paris Imperfect will be published in December 2008.

An Old-Fashioned Arrangement, like the Pilot’s wife by Anita Shreve, commences with a wife who receives the visit of her husband’s office colleagues, at home early one morning. They announce his death in a plane crash in the Indonesian jungle, while on a business trip. Bewildered and under the shock, Kim, the charismatic and life-like main character, tries to gather all her strength in order to sort things out for the sake of her 11-year old son, James. Like Kathryn did the best she could to protect her 16-year old daughter Mattie in The Pilot’s Wife.

But unlike The Pilot’s Wife, the atmosphere in the Old-Fashioned Arrangement is less gloomy, less cold and oppressive. The story takes place in beautiful, peaceful and wealthy Geneva, which contrasts with the state of destitution that English expatriate Kim finds herself thrown into after her husband’s sudden, unexpected death. She is penniless, she has been following her unreliable, egoistic husband, Richard, round the world without any pension or cover scheme, even the money in their bank account has been withdrawn by him.

She will now have to leave the comfortable house in the privileged Genevan suburb, Cologny, within a month, without knowing where to go. Her Swiss neighbour and landlord, Henri, who always silently fancied her, besides liking her son James, proposed “An Old- Fashioned Arrangement” to her. “The arrangement” was meant to help Kim solve her financial problems and lead a care free life without uprooting her young son.

Kim is in her forties and Henri is a refined old gentleman who loves women. For her to become his mistress is against her ethics. She goes through a dilemma before accepting the proposal, but finally, having no family, hardly any friends and no home base due to her nomadic life, Kim sees no other choice but to follow her female instinct and succumbs to the offer. She accepts the deal for the security of herself and her son and not out of love.

But she will end up loving and caring for her guardian angel, Henri, to the extent of refusing the advances of Mark, the handsome English diplomat she happened to meet after her relationship with Henri. But after Henri dies, Kim who now knows the taste of freedom, will take more care before accepting to marry Mark. She will want to know him better before tying her life to his. Age and experience have taught Kim to be wiser, rational and less emotional.

Kim didn’t love her husband, Richard. She was even thinking of a divorce and his death would have been a relief if it wasn’t for the lack of money to survive. All these years she depended on her husband and now she will learn,at last,what it feels like to be emancipated.

The characters in the novel are very realistic, humane and well portrayed, any woman in the world can identify with Kim’s big problem, which makes it difficult for readers not to feel involved, especially with the author’s endearing and humoristic style of writing.

Although lighthearted, this novel treats a serious issue and has several unexpected suspense elements, in combination with a few twists, which makes it difficult to put down.