Tag-Archive for ◊ film director ◊

Author:
• Sunday, September 30th, 2007

Gabriel Garcia Marquez was born in Arcataca in the north of Colombia in March 1928. His parents struggling to make a living,little Gabo was raised by his maternal grandparents. His grandfather was a Colonel, a liberal veteran of the War of a Thousand Days, a hero and a very good story teller who lived an intriguing life.

His grandmother was full of superstitions, premonitions and ghost stories. She was also a very talented story teller and had the art of telling tales as if they were real.

Garcia Marquez will be deeply influenced by both his grandparents. Many years later he will use these unforgettable tales in his famous and most successful novel, One Hundred Years of Solitude.

“The tone that I eventually used in One Hundred Years Of Solitude was based on the way my grandmother used to tell stories. She told things that sounded supernatural and fantastic, but she told them with complete naturalness.” Garcia Marquez will say later in his life: “I feel that all my writing has been about the experiences of the time I spent with my grandparents”.

When he was eight years old he went to live with his parents in Sucre, a department in the north of Colombia, due to his grandfather’s death and to his grandmother’s blindness. His father was a pharmacist. The young Garcia Marquez was sent to a boarding school in Barranquilla, a port city in Colombia. He was known as the shy, serious, non-athletic boy who wrote humorous poems and drew cartoons. At the age of twelve he was awarded a scholarship in a Jesuit-run secondary school for bright students.

After graduating at eighteen in 1946, Garcia Marquez, to please his parents, enrolled in the Bogota University as a law student against his wishes. But he didn’t like his studies. He quitted university.

His life changed when he came across Kafka’s famous book “The Metamorphosis”. He says: “I thought to myself that I didn’t know anyone was allowed to write things like that. If I had known, I would have started writing long time ago… That’s how my grandmother used to tell stories, the wildest things with a completely natural tone of voice.”

From now on Garcia Marquez is going to read many books and dedicate his life to writing. He started his career as a journalist and moved unto literary writing.

He wrote fiction:
“In Evil Hour in 1962
“One Hundred Years of Solitude” in 1967
“The Autumn of The Patriarch” in 1975
“Love In The Time of Cholera” in 1985
“Of Love And Other Demons” in 1994
“Strange Pilgrims” (twelve stories) in 1992
“Memories of My Melancholy Whores” in 2004

His Novellas:
“Leaf Storm”, “No One Writes To The Colonel”, “Chronicle of a Death Foretold” in 1961
“The General In His Labyrinth” in 1989

He wrote non- fiction:
The Story of a Shipwrecked Sailorin 1970
The Fragrance of Guavain 1982
Clandestine in Chilein 1987
News of a Kidnappingin 1996
For The Sake Of A Country Within Reach Of The Childrenin 1998
“Living to Tell the Tale” in 2002
He also wrote many short stories.

In 1981 Garcia Marquez was awarded the French Legion d’honneur medal, and in 1982 he won the Nobel Prize for Literature. His novel One Hundred Years of Solitude had sold 36 million copies by July 2007.

Garcia Marquez has been married since 1958 to Mercedes Barcha and has 2 children, Rodrigo Garcia, the television and film director in the USA, and Gonzalo Garcia Barcha, who also works as a title designer for the cinema in the USA.

In 1999 Garcia Marquez was diagnosed with lymphatic cancer. He lives in Mexico city.
He has released the first volume of a promised set of three volumes of his memoirs in 2002, “To Live To Tell It”, the story of his life till 1955.

“One Hundred Years of Solitude” is a spell-bound novel with multiple events and stories. An epic, like La Chanson de Roland, it has its base seamlessly interwoven from reality combined with fantasy. A chronicle of life and death. A tragicomedy with many characters and through these characters we are introduced to the life of the mythical village of Macondo which is in reality the story of Colombia and its civil war between the Liberals and the Conservatives which had the peak of its bloodshed in 1899 and ended in late 1902.

And like his novella, “In Evil Hour”, where Garcia Marquez writes about the killing of a hundred and fifty thousand Colombians by 1953, in “One Hundred Years of Solitude” Marquez describes the terrible massacre of a hundred thousand people with the defeat of the Liberals. Garcia Marquez’s grandfather fought in that war. He also wrote about the anti western massive workers strike against The United Fruit Company and their banana plantations in Macondo, and the massacre that followed.

The author has mixed together reality, fantasy and history with great magical success. The influence of Marquez’s grandparents is strongly felt in the book, with the raging war between the Liberals and the Conservatives, the mysterious gypsies, like the enigmatic Melquiades and his prophecies, and his ghost that kept on appearing and disappearing in the house. Also the ghost of Prudencio Aguilar who keeps on inviting itself into José Arcadio Buendia’s house after being killed by the latter because of jealousy over his wife Ursula. For many years after his death he will haunt the house in search of water to clean its wound and Ursula taking pity on him and leaving for him water jugs in every corner of the house.

The story of Macondo is the story of the people who founded the village from beginning to end during a hundred years. It all started with “twenty adobe houses,built on the bank of a river of clear water… It was a truly happy village where no one was over thirty years of age and no one had died.” The head of the tribe was José Arcadio Buendia and his wife Ursula Iguaran. They will have children, grand children and great grand children. Five generations of descendants, who all seem to follow the same pattern of character, each living his self imposed “solitude” and despair, their own way.

José Arcadio Buendia is fascinated by the unknown, sadly he is incapable of differentiating between magic and knowledge. He has his lab where he works and tries all sorts of inventions in the hope of making gold, till he ends up going mad.

Ursula Iguaran, his wife, is hard working, she cleans, cooks, and has a little business in candy animals, and raises the offspring of the Buendia family. She is strong-willed and remains lucid till her death at over a hundred years old.

It’s a gigantic saga where cruel and violent reality are mixed with a wholly fantastic world of the author’s fertile imagination. All the people killed during the war. Aureliano, the military leader, and his prolific sex life. He had seventeen children from seventeen women, all queuing to have heroes from him. The tragedies of Renata Remedios who couldn’t marry the man she loved, her mother’s guard fired a bullet into his spine “which reduced him to his bed for the rest of his life. He died of old age in solitude, without a moan, without a protest…tormented by memories and by the yellow butterflies.” Renata Remedios was put by her mother into a convent for the rest of her life. The tragic death of Amaranta Ursula while delivering the baby she was carrying from her nephew.

Funny moments, like Mauricio Babilonia and his trail of yellow butterflies, the tricks that the grandchildren played on their nearly blind grandmother Ursula. And Remedios the Beauty who ascends to heaven with a sheet while hanging out laundry in the back yard. Not to forget the most unusual insomnia illness and collective amnesia, a weird “plague” that attacks the whole village, an infection from some Indians who were passing the village with gypsies.

Garcia’s style is easy, natural and simple. Without any doubt he mastered the art of magical realism. He skillfully blends the tragic and the comic in his astonishing novel where there is always a new amazing happening. Like a magician, under his wound Macondo becomes an enchanted village from The One Thousand And One Nights. Pungent with life, the surreal, undefined, uncertain, whether it’s time, place or people, seem to be most conventional in the novel.

Unfortunately, Macondo the village of mirages is cut off from any civilisation, it has prostitution, incest, and “Solitude”, so like its inhabitants it was doomed to disappear. The incestuous marriage of José Arcadio Buendia and Ursula and five generations later the relationship between Aureliano Babilonia and his aunt Amaranta Ursula, resulting in having a baby born with a pigtail, illustrate what Pilar Ternare,the fortune teller knew : “There was no mystery in the heart of a Buendia that was impenetrable for her because a century of cards and experience had taught her that the history of the family was a machine with unavoidable repetitions, a turning wheel that would have gone on spilling into eternity were it not for the progressive and irremediable wearing of the axle.”

Macondo the village of all fantasies goes back to oblivion with its inhabitants after witnessing a hundred years of violence, cruelty, love, passion, hatred, ghosts, fantasy, prostitution, incest, but most important of all, witnessing One Hundred Years of Solitude.

 

 

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Author:
• Saturday, June 16th, 2007

Niccolo Ammaniti was born in Rome in 1966. He studied at Liceo Classico and then at university where he read biology. He quitted university before obtaining a degree and decided to breed fish in his bedroom in twelve aquariums containing two thousand litres of water, as a business, in order to earn some money.

Ammaniti wrote his first novel “Branchie” in 1994 and in 1995 published an essay titled “Nel nome del figlio”. In 1996 a collection of short stories called “Fango” came out. As for his great rural novel “Ti prendo e ti porto via” which was written in Scotland during his six months there, it was published in 1999. He then went to the United States in 2001 in order to write the script for an American production called “Gone Bad”. His third novel, “I’m Not Scared” (Io non ho paura) was published in Italy in 2001. Niccolo Ammaniti is the youngest ever winner, at the age of 34, of the prestigious Viareggio-Repaci prize for his novel “I’m Not Scared”, which has been his biggest success so far.

“I’m Not Scared”became a best-seller in Italy for months, and was translated into 20 languages. It was also made into a feature film directed by Gabriele Salvatores, the Academy-award winning director of “Mediterraneo”. It premiered at the Berlin Film Festival in February 2003. Niccolo Ammanity, who lives in Italy, mentioned that he is longing to be a film director, and that his novel “I’m Not Scared” was originally conceived as a film project.

In “I’m Not Scared”a thirty year-old Michele remembers a shocking episode from his childhood in the very hot summer of 1978, twenty years ago in Aqua Traverse, an isolated community living in a hamlet of five houses in the middle of wheat fields, in an unidentified poor region in southern Italy, a nine year-old boy Michele discovers a horrifying secret, unbearable for his age, which is going to change his whole life. He will be thrown into adulthood when he loses his innocence and his faith in the adults around him,and realises that those closest to him are not what he thought they were. And through finding out adult cruelty in kidnapping a child his own age and demanding a ransom from his parents. Michele is put through a dilemma, whether to keep his promise to his father by not going back to see Filippo, or listen to his pure heroic nature. He is helpless and confused as a child and yet courageous and righteous as an adult. The complexity inherent in growing up.Having lost faith in his idealised father and mother and all grown ups surrounding him, he has to work things out by himself and act like a humanitarian hero.

The whole novel is narrated through the nine year-old Michele’s eyes, therefore the language is simple, the sentences short, the paragraphs brief and the image clear, which conveys strength and authenticity to the narration. The author writes with great accuracy the feeling of fear and fantasies of corpse-eaters, ghosts, monsters, and bogeymen that come out at night, which are part of everyday life of a child. Michele is intimidated, like the other children of the hamlet, by Skull (Antonio), who seems to have hold over them through fear and seems to take a sadistic pleasure in ordering his friends around and getting away with it. There is also the fear of Skull’s brother, Felice Natale, who is portrayed as a despicable character.

The story is very well constructed, Michele’s character springs to life while the adults are portrayed in a sketchy way. Ammaniti excelled in capturing with great precision, Michele’s childish thoughts and vocabulary.The story starts in a slow rhythm which conveys the stifling summer heat and also the isolation of the Aqua Traverse people. Nothing much seems to be happening, the children are glad to get together every day to go cycling in the middle of the wheat fields, happily, innocently and without any worries, away from the adults’ evil tension, kidnapping, blackmail and guns. Then comes the black side of the story, the dark black hole opposed to the sunny wheat fields, Michele’s terrible discovery which he keeps to himself. Then follows the tension and violent arguments among the adults which holds the suspense going strong à la Hitchcock, leading to the climax which carries the twist at the end.

Niccolo Ammaniti, a talented story-teller with vivid imagination, is considered one of the best novelists in Italy.