Tag-Archive for ◊ isolation ◊

Author:
• Sunday, October 02nd, 2011

Haruki Murakami, one of Japan’s most famous and acclaimed contemporary writers, was born in Kyoto in 1949 but grew up in Kobe. His parents were both teachers of Japanese literature. He majored in theatre arts from Tokyo’s Waseda University in 1975.

Since his childhood, Murakami has always been influenced by Western culture and literature and loved classical and jazz music to the extent that while still at university, he opened his coffee/jazz bar, “Peter Cat”, with Yoko, his university mate, who later became his wife. He ran the bar from 1974 to 1981 and sold it when he started earning his living from writing.

Haruki Murakami became a keen marathon runner in his thirties and in 2008 wrote a non fiction about it called : What I Talk About When I Talk About Running.

Haruki Murakami is a translator of books from English into Japanese, a novelist, who also writes non fiction, short stories and essays.

In 2006 Murakami received the Franz Kafka prize from the Czech Republic for his novel, Kafka On The Shore and won the Yomiuri Prize for The Wind-Up Bird Chronicle, published in Japanese in 1995 and in English in 1998.

The title of the novel refers to “a mechanical cry of a bird that sounded as if it were winding a spring”. Kumiko, the wife of the main character, gave it this name. The protagonist-narrator says: “We didn’t know what it was really called or what it looked like, but that didn’t bother the wind-up bird. Every day it would come to the stand of trees in our neighbourhood and wind the spring of our quiet little world. An ominous cry.

Toru Okada, the main character, was also called Mr. Wind-Up Bird by May Kasahara, his eccentric, insubordinate, adolescent, death-obsessed neighbour.

Toru Okada is a young, unemployed married man in his early thirties, without ambitions, who is having problems finding his way in life. His quiet existence topple’s over when his cat, Noboru Wataya, named after the evil brother-in-law he abhors, who later in the story is named Mackerel, disappears and his wife, Kumiko, the bread winner of the couple, leaves him for no apparent reason. Pandora’s box is now wide open. There is a strange succession of happenings; people start coming his way with their bizarre stories and predictions followed by enigmatic occurrences and peculiar persons. Their stories or fates are sometimes interwoven to ease the plot by making it less complicated.

The procession of mysterious characters who start appearing and disappearing in Toru’s banal life are eerie. There is Malta Kano, who is a clairvoyant of sorts, Creta Kano, who was initiated by her elder sister and claims to be a “prostitute of the mind”, then there is Nutmeg Akasaka who is a clothes designer and becomes a medium, and her only child, Cinnamon, who becomes mute at the age of six. There is also Noboru Wataya, the malevolently weird and popular politician with diabolical powers, who happens to be Kumiko’s brother. And not to forget the odd Mr. Honda, an old friend of Kumiko’s family and his strange will and his colleague, lieutenant Mamiya, who is now an old man and was in Manchukuo during the second world war and his gruesome story while in outer Mongolia when he was captured by Mongolian and Russian soldiers and was forced to watch his colleague being skinned alive by the Mongolian soldier.

The second world war atrocities are described in detail in various parts of the novel, as is also the massacre of the animal zoo and the savage and inhuman baseball execution in Manchuria.

A world of Kafkaesque surreal events unfolds in front of Okada’s eyes and he finds himself fluttering between reality and make-believe in a very strange universe with a stifled, bewitching atmosphere. Especially that Okada is of a compliant disposition and lacking identity which makes him easily drawn into each character’s sphere. Like lieutenant Mamiya, Okada is going to experience the isolation of a dry well in a forsaken backyard of a deserted, cursed house near his home in order to try to get to his inner subconscious, search himself and understand things in the hope of saving his wife, Kumiko, and bringing her back.

Things start happening as he goes through the well wall in his “predawn dreamlike illusion in the well” and finds himself in a bedroom hotel. He comes out of this experience with a bluish black mark on his cheek which gives him psychic powers.

In one of his interviews, Haruki Murakami mentions that the subconscious is a subject of great interest to him, especially that it is a “terra incognita” for him. He also mentions that he is attracted to wells, not for going down them, but for looking inside them.

He goes on to say that he likes to write weird stories despite the fact of being a very realistic person himself. Maybe it’s a sort of an escapism from reality, being a “loner” as he typifies himself. Referring to his young readers, he says he hopes that his books “can offer them a sense of freedom – freedom from the real world”.

The Wind-Up Bird Chronicle is an entertaining rich story, abundant in intricacies and brimming with an outstanding literary imaginativeness. A modern fantasy tale that takes place in suburban Tokyo, a few years before the end of the twentieth century. Some parts of the novel are intense and others are perturbing historical scenes of the second world war, during the Japanese occupation of Manchuria.

Despite the untied loose ends, the Wind-Up Bird Chronicle is an easy to read page turner and a captivating novel.

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Author:
• Wednesday, March 04th, 2009

Colm Toibin was born in Enniscorthy, Co. Wexford in the South East of Ireland in 1955. His father who was a school teacher and a local historian, died when Toibin was twelve years old.

Colm Toibin is the second youngest of five children. He went to St Peter’s college in Wexford and later studied English and History at University College in Dublin. After graduating he left Ireland and taught English for four years in the Dublin School of English in Barcelona (Spain).

He went back to Ireland in 1979 and worked as a journalist at In Dublin, then at Magill magazine followed by the Sunday Independent in Dublin, was a contributor to Esquire, the London Review of Books, New Statsmen, The Times Literary Supplement and the Irish Review.

He has been visiting professor at Stanford University and The University of Texas in Austin. He also lectured at other universities, including Boston College and New York University. Colm Toibin lives and works in Dublin. He is one Ireland’s leading contemporary writers.

Toibin won several awards. He is the author of number of fiction and non-fiction works.
Fiction:
The South, 1990
The Heather Blazing, 1992
The Story of The Night, 1996
The Blackwater Lightship, 1999
The Master, 2004
Mothers and Sons, 2006.

He has also written ten non-fiction books and a play staged in Dublin in 2004 called: Beauty in a Broken Place.

Mothers and Sons is Toibin’s first collection of short stories. Three long stories and six short ones of which, eight stories are set in contemporary Ireland and the last one in a village in the Pyrenees in provincial Spain.

In his book the author describes the relationships forged between mothers and sons in their adulthood; the very fine unseen tie woven between them,their lack of communication and understanding with what it entails of heartbreak and sadness, despair, loneliness and sometime guilt. The author also tackles the problem of how to deal with one’s losses of a dear one.

Toibin succeeds in conveying with great sensitivity and melancholy, the psychology that shapes, each time differently, mother to son or son to mother. Whether the son is a professional thief, or faced with his estranged mother, or a paedophile priest, or sad over his mother’s death, or suffering from depression, or looking for her under the snow.

The nine stories, despite the book title which infers love and warmth, are all gloomy, unhappy and devoid of the cosy feeling that could be expected between mothers and sons. Instead there is the deep pain inflicted by sons on their mothers and the consequences of mothers’ behaviour on their sons, which combined with the harsh reality of life that each side is faced with, helps to create an isolation between the two sides.

Toibin’s choice of short stories, lack of landscape description, or any usage of flowery prose for this delicate subject is deliberate and most suitable. His way to make the readers feel the pain of the character, by keeping the intensity of the feeling which could have been easily lost in a long story.

Toibin’s description of endurance, separation and longing with such depth, shows a keen understanding of the complex human psychology and its frailty, which is movingly haunting and thought provoking.

The author didn’t impose himself as a moralist, in fact the reader is not sure who is the unscrupulous and who is the sympathetic character because of the palpable but unspoken emotions. All the stories are left without a classical ending intentionally. Toibin wanted to withhold the conclusion in order to confront his readers with a conflict,dramatise it and leave it at that.

Mothers and Sons is melancholic like all other Toibin’s novels. The answer of the author to that, is in one of his interviews, he says : “When I started out writing I would have considered myself to be quite happy. I’m not a sad boy, but the books are full of terrible melancholy. I’ve learned about it from writing the books. If I had known all this about myself before I started, I probably would have gone into serious therapy instead of writing.”

Toibin’s style of writing is pure and neat without being cold. Mothers and Sons continues to collect international acclaim.