Tag-Archive for ◊ streets ◊

Author:
• Friday, May 23rd, 2014

Peter Mayle was born in Brighton, England in 1939, the youngest of three children. He was educated at Brighton College, England, then at Harrison College Barbados, to where his father had been transferred as a Foreign Office employee.

Mayle left school at the age of sixteen and returned to England. In 1957 he was a trainee at Shell Oil in London before working as a creative director for BBDO, the world-wide advertising agency network based in New York City. In 1975 Mayle left his job to dedicate his time to writing books and in 1986 decided to move to the south of France.

A Year In Provence received the Best Travel Book Of The Year award in 1989 and Author Of The Year prize in 1992. Mayle was made a “chevalier de la légion d’honneur” by the French government in 2002 for his cultural contribution. He lives with his third wife and their two dogs in Lourmarin (Luberon) in France.

Peter Mayle has written several books that have been translated into a number of languages as well as articles for periodicals. A Year In Provence became a BBC TV mini-series in 1993 and A Good Year was made into a film directed by Ridley Scott and released in 2006.

The Marseille Caper is the second novel of a trilogy: The Vintage Caper in 2009, The Marseille Caper in 2012 and The Corsican Caper in 2014.

A tender for building on the last remaining seafront plot in sunny Marseille called “Anse Des Pêcheurs”, is the subject of a three-way dispute between Francis Reboul, the shady French billionaire who is hiding behind his American front-man, Sam Levitt, the sleuth in the Caper trilogy, William Wapping, a corrupt and bankrupt English Lord and former bookmaker cum thug, and Eiffel, a Paris based company represented by madame Caroline Dumas.

Elena Morales, the alluring, insurance agent from Los Angeles and Sam Levitt’s companion, is also invited by Francis Reboul to join Levitt as his guest in Marseille.

Sam Levitt presents himself to the members of the committee as an architect from an American company interested in the building project. William Wapping, who has been bribing his way through everything he wanted, will try bribery to win the “Anse Des Pêcheurs” project but to no avail. That is when he decides to play dirty in order to reach his target. When he discovers that intimidation brings no result he goes further by having his thugs knock Philippe, the journalist friend of Sam Levitt, off his scooter and as a last resort they kidnap Elena Morales.

Apart from the confrontation between the contenders and all the thrills involving the two finalists, the author takes the reader through the charming old narrow streets of old town Marseille and its old port, not forgetting the history of the whole of the south of France, recounted by Levitt which made Elena call him “a walking guide book”.

The author also describes good and unpretentious bistros serving delectable food as well as gastronomic restaurants with sophisticated delightful dishes and good wine, not to mention the constant flowing champagne and various pastries and bakery items.

The author describes French epicurism in detail, the slow pace of life in the idyllic sunny Mediterranean south of France and the “joie de vivre” encountered in this part of the world where food is taken very seriously.

An easy, enjoyable and entertaining, light-hearted read with a simple plot and a happy ending, written with a great deal of fondness by a south of France lover and a “bon vivant”. The book portrays the indulgence in a good life used to its fullest, a sort of an escapism from the everyday hectic routine elsewhere in the world.

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Author:
• Saturday, October 24th, 2009

Abha Dawesar was born in New Delhi, India, in 1974. She obtained a degree in philosophy from Harvard University and started a career in finance which she had to forgo when her two novels, Miniplanner and Babyji became great successes.

Abha Dawesar received the Lambda Literary Award in 2005 and the American Library Association’s Stonewall Award in 2006. She was also awarded a Fiction Fellowship in 2000 by the New York foundation of the Arts. Abha Dawesar lives in New York.

Due to her young age, her bibliography is short, but acclaimed by critics.
She published Miniplanner in 2000.
Her second novel Babyji was published in 2005.
That Summer in Paris was published in 2006.
Family Values was published in 2009.

Abha Dawesar is a self taught video maker and a visual artist. Her photographs have been exhibited in New York City.

That Summer in Paris is the story of a successful, Nobel prize winner, seventy five-year-old Indian writer, Prem Rustum who discovers that his life is nearly over without him seeing the years passing. He realises that he has spent too much time writing novels. In spite of his old age he hasn’t given up on love and decides to rest his pen and enjoy the few years left for him to live, preferably with a charming female soul mate.

Searching on Internet under his name, he discovers unexpectedly messages from one of his admirers, Maya; an intellectual, ambitious, twenty five year old aspiring writer, who admits openly on the web her admiration and passion for his work. He decides to meet her. They felt captivated by each other’s charm straight away and on a whim Prem decides to follow Maya, from New York to Paris, where she has a writing fellowship. The unconventional, uneasy relationship between the two main characters begins.

Prem’s love for Maya will make him reminisce over his old incestuous love with his older sister Meher, to his sensual experience with the two sixteen-year old French girls and will confront him with his rekindled desires and his approaching mortality. The theme of life and death mentioned in the novel, is a subject which Dawesar is obsessed with, as she mentioned it in one of her interviews.

For the romance to take place the author couldn’t have chosen a better clichéd place than Paris, the most beautiful and romantic city in the world, which Dawesar is very found of and visits often. The very meticulous description of the people, the paintings, the city’s streets, restaurants and French gastronomy, the various attractions and art galleries, transports the readers into a different world of romantic fantasy, but also a meditation about ageing, passion, achievement, literature and art.

The detailed and explicit descriptions of the sex scenes are gratuitous, perverse and crude, it undermines an otherwise good story about lost love, relationships and the beauty of how art can influence love and love, art. Which promotes the immortality of real love and genuine art. In her endeavour to sex-up her story, Dawesar belittles the interesting and numerous discussions between Prem, his Parisian friend, Pascal Boutin, the famous novelist and Maya his muse.