Tag-Archive for ◊ creative director ◊

Author:
• Friday, May 23rd, 2014

Peter Mayle was born in Brighton, England in 1939, the youngest of three children. He was educated at Brighton College, England, then at Harrison College Barbados, to where his father had been transferred as a Foreign Office employee.

Mayle left school at the age of sixteen and returned to England. In 1957 he was a trainee at Shell Oil in London before working as a creative director for BBDO, the world-wide advertising agency network based in New York City. In 1975 Mayle left his job to dedicate his time to writing books and in 1986 decided to move to the south of France.

A Year In Provence received the Best Travel Book Of The Year award in 1989 and Author Of The Year prize in 1992. Mayle was made a “chevalier de la légion d’honneur” by the French government in 2002 for his cultural contribution. He lives with his third wife and their two dogs in Lourmarin (Luberon) in France.

Peter Mayle has written several books that have been translated into a number of languages as well as articles for periodicals. A Year In Provence became a BBC TV mini-series in 1993 and A Good Year was made into a film directed by Ridley Scott and released in 2006.

The Marseille Caper is the second novel of a trilogy: The Vintage Caper in 2009, The Marseille Caper in 2012 and The Corsican Caper in 2014.

A tender for building on the last remaining seafront plot in sunny Marseille called “Anse Des Pêcheurs”, is the subject of a three-way dispute between Francis Reboul, the shady French billionaire who is hiding behind his American front-man, Sam Levitt, the sleuth in the Caper trilogy, William Wapping, a corrupt and bankrupt English Lord and former bookmaker cum thug, and Eiffel, a Paris based company represented by madame Caroline Dumas.

Elena Morales, the alluring, insurance agent from Los Angeles and Sam Levitt’s companion, is also invited by Francis Reboul to join Levitt as his guest in Marseille.

Sam Levitt presents himself to the members of the committee as an architect from an American company interested in the building project. William Wapping, who has been bribing his way through everything he wanted, will try bribery to win the “Anse Des Pêcheurs” project but to no avail. That is when he decides to play dirty in order to reach his target. When he discovers that intimidation brings no result he goes further by having his thugs knock Philippe, the journalist friend of Sam Levitt, off his scooter and as a last resort they kidnap Elena Morales.

Apart from the confrontation between the contenders and all the thrills involving the two finalists, the author takes the reader through the charming old narrow streets of old town Marseille and its old port, not forgetting the history of the whole of the south of France, recounted by Levitt which made Elena call him “a walking guide book”.

The author also describes good and unpretentious bistros serving delectable food as well as gastronomic restaurants with sophisticated delightful dishes and good wine, not to mention the constant flowing champagne and various pastries and bakery items.

The author describes French epicurism in detail, the slow pace of life in the idyllic sunny Mediterranean south of France and the “joie de vivre” encountered in this part of the world where food is taken very seriously.

An easy, enjoyable and entertaining, light-hearted read with a simple plot and a happy ending, written with a great deal of fondness by a south of France lover and a “bon vivant”. The book portrays the indulgence in a good life used to its fullest, a sort of an escapism from the everyday hectic routine elsewhere in the world.

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Author:
• Sunday, December 15th, 2013

Susanne Dunlap was born in 1943 in Buffalo, New York. After finishing school she studied mathematics major at Bucknell University before quitting for an English major. Dunlap obtained a masters degree in education from the University of North Carolina and a major in music from Smith. Then, thirteen years later, she went back to achieve an MA in musicology and finally obtained a PhD in music history from Yale University after eight years of study.

Susanne Dunlap has worked as a legal assistant, a Yoga teacher and a music history teacher. In 1986 she was a founding member and president of Sisters in Crime – an organisation that provides advice and support to mystery authors and promotes women crime writers. She has been an Associate Creative Director at a small advertising agency in Manhattan and won the Anthony and Macavity awards – a literary award for mystery writers. Dunlap has two grown-up daughters and grandchildren.

Susanne Dunlap has written several books and short stories. After reading a novel by Agatha Christie she decided to become a writer of crime and mystery fiction. The Musician’s Daughter, published in 2009, has been nominated for the Utah Beehive Award and the Missouri Gateway Readers Award.

The Musician’s Daughter is a historical fiction set in eighteenth century imperial Vienna with its opulent palaces and its Viennese and Hungarian nobilities as well as the wonderful world of Viennese music, alongside poor gypsy camps, exoticism and folklore.

On Christmas eve Theresa’s father, Antonius Schurman, the finest violinist who plays in prince Nicholas Esterhazy’s court orchestra conducted by the distinguished Kappelmeister Franz Joseph Haydn, is brought back home dead by three of his colleagues. They find that he has been killed out of town by the river Danube, near a gypsy camp.

The intelligent, fifteen-year-old, Theresa, knows that her father had no enemies and was kind to everyone. She sets her mind on unravelling this perplexing mystery, courageously, on her own. Like a detective, she spends her time gathering clues and facing several dangerous adventures and in the end she finds the culprit.

Theresa is a liberated girl ahead of her time. She refuses to comply with the tradition of accepting any suitor. She is discretely in love with the young Hungarian musician Zoltan who is involved in the same mysterious intrigues as her. She dreams of becoming a musician like her beloved father, although she knows that society at the time finds women musicians unacceptable. After her father’s death, she takes control of her mother and little brother, with the help of her God-father, Haydn, .

After the breadwinner of the family dies, Franz Joseph Haydn, who is losing his eyesight, helps his God-daughter, Theresa, financially, during this difficult period by employing her as copyist for his compositions. Theresa is very grateful, she needs the money desperately, especially with a helpless, bereaved mother at the end of her pregnancy and a brother about to start a violin maker apprenticeship lasting nine years.

Theresa decides to find her father’s murderer and retrieve her late father’s old, valuable, stolen, Italian, Amati violin – the very same violin that Theresa loved and was taught to play by her father. All she has to go by for starting her pursuit is a mysterious gold pendant that she has never seen before, found round her father’s neck.

As the story unfolds, Theresa discovers she is penetrating into a world of deceit, conspiracy and political intrigues. She will acquire information and consequently learn that her father was against injustice. He was against Hungarian serfs and against the hunting down of gypsy camps. He was spying in order to unveil the atrocious behaviour of the Hungarian lords.

She will also find out that her highly positioned rich uncle, was making money by selling young boys to become Hungarian serfs. Theresa, with the help of some of her late father’s colleagues and some gypsies will extricate her kidnapped little brother, Toby from her evil uncle’s grasp.

The Musician’s Daughter, written by an indisputable music history lover, is a pleasant, entertaining,well described, easy-read mystery adventure, abounding with action and twists. The story starts off at a slow pace before catching-up and moving at a faster steady rhythm, building up the tension until the unveiling of the last twist.

Theresa, Mirela and Danior’s characters are especially sympathetic and well portrayed. The novel has good historical insight into the non existence of women’s rights as well as social security rights and is filled with social injustice. These are some of the problems of the time in this area of the world. The author describes the abominable way the Hungarian lords obtained their serfs and how gypsy people suffered by being unfairly persecuted. Even today the plight of gypsies remains an unsolved problem in many countries of the world.