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Author:
• Sunday, February 17th, 2013

Emili Rosales was born in 1968 in Spain’s Sant Carles de la Ràpita. He spent his childhood and adolescence in his home town before moving to Barcelona to study philology. He worked as a literature teacher and translator and currently is editor and contributor to the newspapers Avui and La Vanguardia. He lives in Barcelona and is a member of the Association of Catalan Language Writers.

Emili Rosales has written two poetry books:
Cities and Sea, published in 1989 and The Days and You, published in 1991.
He has also written four novels to date:
The Beach House, published in 1995, Lord of The Earth in 1997, While Barcelona sleeps in 1999 and The Invisible City in 2005.

The Invisible City became a best seller and has been translated into twenty five languages. The English version was published in 2009. It won the prestigious Catalan literary prize: The Sant Jordi Prize, was selected among the five best novels in Spain in 2006 and was short-listed in 2007 for the Prix Médicis Etranger in France.

Emili Rossell, the main character in the novel, is a young gallery owner in Barcelona, born and raised in Sant Carles de la Ràpita – like the author himself. One day he receives an anonymous parcel containing a copy of an 18th century manuscript written in Italian and entitled: The Memoirs of the Invisible City, written by Andrea Roselli, the Italian architect of king Charles III of Spain, who reigned from 1759 to 1788. This manuscript reawakens Rossell’s great childhood interest in the mystery of the so-called “Invisible City” in his home town, a riddle that even the adults around him couldn’t solve.

Emili Rossell mentions the invisible city of his “childhood games” out of the blue to his school friend, Armand Coll. After examining his encyclopedia, Armand informs his friend that: “Sant Carles de la Ràpita constitutes a mystery within the failed projects of the Enlightenment. It was first designed to be a grand, new city, but at some point the project came to a halt, no one knows exactly why… What was not yet a reality, soon became a pile of ruins. These are the ruins where you and your friends played and scattered pigeons”.

The author skillfully connects the past and present by constructing two parallel, intertwining plots in an architectural way. On the one hand, the aborted plans and unfulfilled dream of king Charles III of Spain and on the other hand, the remaining ruins of this ambitious scheme in the Ebro delta two centuries later. The relics of this unfinished work becomes the playground for the child, Emili Rossell and his friends, who are unaware of the history of these vestiges.

King Charles III’s biggest ambition was to replace Madrid with a new capital which he wanted built around the Ebro delta in Catalonia under the name of Sant Carles de la Ràpita. He wanted a similar city to the majestic Saint Petersburg, built by Peter the Great of Russia (1672-1725) on the banks of the Neva river.

This colossal plan does not materialise because of jealousy and political court intrigues. The senior royal court architect, Francesco Sabatini, who is put in charge of this gigantic project, takes the young Andrea Roselli under his wing. Everything changes when Sabatini discovers, through Tiepolo’s painting of Cecilia – intended as a present by her for her ex lover, Roselli – the romance between his wife, Cecilia and his trusted protégé.

In a jealous rage, Sabatini confronts Roselli and promises him that he will ensure that “his new city” will never exist, and “the privileges he had enjoyed so far will be taken from him”. Roselli knows that Francesco Sabatini is capable of persuading the king to bring the project to a halt, which he does.

What was destined to become a new capital, an ideal, perfect, great artistic and commercial city promoting trade between Spain and America, instead becomes a fishermans’ town. Sabatini has effectively destroyed Roselli’s career and promising future as well as alienating him. Nevertheless, some unfinished buildings will remain until the twentieth century as a witness to this agitated period.

The story also includes the mystery of the lost painting by the famous eighteenth century Venetian master, Giambattista Tiepolo. It goes missing soon after his death and Emili Rossell’s beautiful old friend, Sofia Mendizàbal, is desperately trying to find it two centuries later, by pleading the help of Rossell.

The plot contains the enigma around the hidden identity of Emili Rossell’s father. A secret well kept by his family and which haunted him during his childhood. He learns at an early age never to ask about the father he has never known, feeling a heavy hidden sense of shame and culpability. He loses interest as an adult but eventually discovers his father’s identity towards the end of the novel.

As we embark on an intimate journey with Andrea Roselli and Emili Rossell, we discover that they both have things in common such as a complicated relationship with women, whether it’s Cecilia with Andrea Roselli or Ariadna, Chloe or Sofia with Emili Rossell. Another thing they both share is having to settle accounts with their own past.

The Invisible City is an interesting, thrilling and intriguing story with an elaborate plot that manages to bring all the mysterious loose threads together in the end. There is a useful and abundant description of architecture. It’s a good insight into king Charles III of Spain’s reign and no doubt a great amount of research and maybe traveling by the author was needed in order to situate his novel in historical context. But most important of all it is the hymn of praise to Emili Rosales’ native home town, Sant Carles de la Ràpita.

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Author:
• Sunday, December 18th, 2011

Jenni Mills was born in Birmingham, England, in 1952 and was educated at Edgbaston High School for girls. From 1970 to 1973 Mills studied at Sussex University, followed by an MA with distinction in Creative Writing at Bath Spa University where she is at present tutoring part-time. Jenni Mills wrote most of Crow Stone while preparing for her Creative Writing MA. .

Jenni Mills worked in broadcasting for nearly thirty years before writing her first novel. She has presented and produced programmes for BBC radio, four of which won her an award and has worked as a director for both BBC-TV and ITV. She also works as a freelance television director and has written articles for newspapers and magazines.

Jenni Mills, like her character Katie, has been very fond of archeology since her childhood and the fact that the limestone quarries around where she was brought-up have been mined since Roman times, influenced Mills to write Crow Stone without too much effort.

In one of her interviews, Jenni Mills says she found a quarry near Corsham and went underground there in order to be able to describe in detail what goes on in the mines. She found the experience “thrilling rather than scary”. She conversed with a female mining engineer after Crow Stone was published and realised that she described Kit’s job well, when the woman mining engineer told her: “I believe you were writing about me”. She now lives in Wiltshire, in the West of England.

Jenni Mills has written two novels to date: Crow Stone published in 2007 and The Buried Circle published in 2009.

Crow Stone intertwines the past and present story of Katie, an introverted, vulnerable teenager who lives a difficult, under-pressure life, with her austerely temperamental and violent father since her mother left them when she was small. Katie is a bright student who realises her childhood dream and becomes the successful mining engineer Kit Parry, despite her difficult relationship with her father and her uncovering his atrocious deed in the summer of her fourteenth year which changes her life for ever. The novel follows the evolution of Katie and her interaction with the various occurrences and people that she comes across in life.

After several years of hard work, Kit accepts an interesting project for stabilising the dangerously unstable quarries that run under Bath, her home town that she had left in a big black car when she was fourteen and decided then to change her name to Kit as a new start in life. She has never returned to Bath since then, nor ever seen her father again. All the painful memories that Katie has tried to bury all these years are going to resurface and haunt her on her return, twenty years later. Her father now dead, the adult Katie who becomes Kit is still susceptible on the inside but offensive on the outside. Some wounds are difficult to get rid of, they stay implanted in the psyche for ever.

In her new assignment, Kit has to withstand the hostility of the other male workers in a field dominated by men and where workers believe that a female engineer brings bad luck to the mine shafts. Not everything is negative though – the long sleeping flame is rekindled when Kit finds out that the site manager happens to be the same Gary Bennett that her superficial, foolish, unreliable, friends, Trish and Poppy and herself used to be infatuated with from afar when they were all teenagers.

The author describes masterfully and in an amusing way, the psychology and behaviour of teenage girls portrayed by Katie, Trish and Poppy, whether at school or outside it, underlining Trish’s strong character which contrasts with Poppy’s and Katie’s.

Katie is very enthusiastically passionate about archaeology and geology and ironically the two big events in her life take place while she is in the quarries. Her first disturbingly macabre discovery was at Crow Stone quarry during the summer of her fourteenth birthday and the second fantastically thrilling event of the decade was the uncovering of the lost Roman Mithraic temple with the help of her colleague and friend Martin Ekwall, the senior lecturer in archaeology at Sussex University.

The story takes place in Bath, one of the oldest and most charming cities in England, full of historic relics above and below ground. The author embarks with her readers on a journey of concealed underground labyrinths of quarries and the historic, touristic attractions of Bath, like the famous Royal Crescent built by the eighteenth century Freemason, John Wood. There is also some information about the Mithraic mysterious religion which was practised in the Roman Empire, a cult with a saviour, sacrifice and rebirth.

Crow Stone as the author puts it, is about “fear and survival” and the setting turns out to be perfect on “all levels: mythical, metaphorical and emotional”. A captivating psychological thriller with a well constructed plot.

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