Tag-Archive for ◊ haunting ◊

Author:
• Sunday, November 01st, 2015

Gerbrand Bakker was born in 1962 in Wieringerwaard, Holland. He studied Dutch language and worked as a subtitler for nature films on Dutch television for several years as well as a skating instructor during the winter before becoming an accredited gardener in 2006. Bakker says that writing and gardening complement each other.

Bakker’s first novel, The Twin, was published in 2006 and won the International IMPAC Dublin Literary Award. His second novel, June, was published in 2009. The Detour, Bakker’s third novel, won the Independent Foreign Fiction Prize and was published in Dutch in 2010 and in English in 2012.

The Detour is the story of a middle-aged Dutch woman who calls herself Emilie. On what seems a sudden impulse, she rents a farmhouse in a remote area of North Wales, leaving everything behind in Amsterdam – all her worries, her husband and both her parents without telling anybody about her whereabouts.

Emilie, who only took the farmhouse on rental and is not likely to remain in it for long nor had the intention to and despite been given short notice from the agency to leave in a matter of a few days, is nevertheless working hard to embellish the wild and desolate garden and surroundings. She also purchases a Christmas tree as well as a television set. In her endeavour, she is trying to bury her past by finding peace and comfort physically and mentally as a therapeutic pass time.

Emilie spends her days gardening, walking, admiring the far away sea and nature around her, observing an aggressive badger who sneaks out of his den and bites her foot. She puzzles about the flock of white geese in her yard which were ten when she arrived but keep on disappearing one after another, she tries to save them from what she thinks might be a fox, but fails. Their curious disappearance will never be solved like other inexplicable mysteries in the story.

Emilie’s solitary confinement comes to an end when Bradwen, a young Welsh man from the area, who is mapping a walking trail across the country and across Emilie’s farm yard, gets injured near Emilie’s farm. She offers him shelter but he ends up staying with her longer than the expected one night. Bradwen will prove to be a good companion, being taciturn like her. He will also prove to be a good help around the house and the garden. A certain understanding combined with a tender relationship creates a bond between them.

The story moves back and forth between Emilie’s new life in Wales and her husband Rutger’s life in Amsterdam. Rutger is baffled by his wife’s unexpected disappearance and seeks the help of a detective to trace her whereabouts. Once located, the husband with the help of a policeman who arrested him earlier for setting Emilie’s university office on fire out of anger and who meantime became his friend, both set sail and go on Emilie’s trail.

The reader unravels Emilie’s enigmatic world slowly, but not fully, in little strokes by half-said words, through meditations and several reminiscences. We discover that Emilie is a lecturer at the university and that she is preparing a thesis on the nineteenth century reclusive American poet Emily Dickinson. We also assume that she has an unhappy marriage.

Seeking anonymity in her escape and wanting to put an end to any past connection and create a vacuum by keeping her distance with everybody, she borrows the name of Emilie from the poet Emily Dickinson that she had a sort of love hate feeling towards and looked upon in disdain in spite of being aware of similarities in character between the poet and herself. The author throughout the novel draws the similitude between the two Emilies.

The reader also discovers that the story’s main protagonist fled Holland after the university scandal as a result of having an affair with a student which ended her academic career. Additionally, she seems to be suffering from an undisclosed, incurable disease. After receiving a card from her husband telling her he is on his way to fetch her, the message hastens her final, inevitable decision before her husband’s arrival. At the abrupt end of this haunting story we learn, for the first time, from Rutger that his wife’s real name is Agnes.

The detour is also a tribute to nature which is a prominent character in this well written, slow-paced and yet gripping novel. The author, being a gardener by profession, features the beauty of nature in what remains an overall gloomy atmosphere. He describes the part of North Wales – he said he visited a number of times – in great detail. The idyllic Welsh wildlife, the surrounding trees, the plants, the green hills, Mount Snowdon and the varying climate, not forgetting the animals, being part of nature.

Emilie who is clearly grieving over her past life and over her deteriorating state of health, is a tormented soul seeking an impossible, unattainable peace within herself, forgetting that it’s impossible to escape from oneself by fleeing. Instead of confronting her problems with some pragmatism, she stages an inevitable, abrupt, harsh ending to her life. The sombre atmospheric setting of The Detour is like Emily Dickinson’s poems – it’s about Life, Love, Nature. Time and Eternity as well as Death.

The title of the novel implies that Emilie is taking a detour maybe in order to be isolated among the beautifully remote Welsh nature or perhaps to enjoy her own company away from everything and before her final and ineluctable destination or perhaps destiny. Bakker has definitely left his reader to draw his/her own conclusion.

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Author:
• Saturday, October 30th, 2010

Diana Evans was born in London but lived part of her childhood in Lagos, Nigeria. She studied Media at the University of Sussex and obtained a Masters degree in creative writing from the University of East Anglia.

She was a dancer before turning to journalism as a feature writer and critic for Marie Claire, The Independent, The Observer, The Guardian and The Daily Telegraph.

Diana Evans’ first novel 26 a, published in 2005, won the Orange Award for New Writers in the same year and received a nomination for the Guardian First Book Award. She was also short listed for the Whitbread First Novel and Commonwealth Best First Book Awards.

26 a has been translated into several languages. The Wonder, published in 2009, is Diana Evans second novel. Diana Evans lives in London, England.

26 a, Diana Evan’s first novel dedicated to her twin sister, Paula, is semi autobiographical, having lived the loss of Paula, who committed suicide in 1998 while a young adult. The story takes place mainly in Neasden, London and partly in Nigeria.

26 Waifer Avenue, Neasden, in North West London is the home of the Hunter family. 26 a is the loft where the identical twin-children and soul mate, Georgia and Bessi Hunter live and chose to barricade themselves from the outside world. They created their own haven where nobody was allowed in without knocking and where they could discuss important matters without interference.

They managed to secure their den from the oppressive atmosphere down below, in the house, with their homesick, melancholic, Nigerian mother, Ida, who discourses with “spirits” and their depressed, English, alcoholic father, Aubrey, who hasn’t learned “how to master his demons” and who turns from Dr Jekyll into Mr Hyde, when he is drunk. Their elder sister Bel nurtured them and their younger sister, Kemy, was eager to become part of their secluded world as their third twin.

They built a childhood universe of make believe, where they felt they could fulfil their innocent dreams. Unfortunately, reality caught up with them as they became adults. They had to learn to break the unbreakable bond, their dependent magical relationship and grow apart by accepting that the “twoness” becomes a “oneness”.

A nostalgic, moving, bittersweet tale about searching for personal as well as cultural identity, skillfully written with a great deal of feeling and sensitivity. The poignantly dark, supernatural ending to the story creates a link to the emotionally two petrified furies of the beginning of the novel and contrast with the humoristic narration in between.

In the Observer issue of 6th February 2005, Diana Evans wrote under “My other half”, “A personal essay on twinness”, how after the suicide of her twin sister Paula, Diana felt her sister’s presence haunting her everywhere she went, even in her dreams. She was even speaking at times like her sister with the same voice, finding herself laughing the same way, which made her feel spooky.

Diana Evans felt that she was now living her life for two persons, her twin sister has always been part of her and remains very much so, even after her death. She went on to say that being a twin does not end when one of you disappears, “because there is never really only one of you. Once a twin, always a twin”.