Tag-Archive for ◊ Naguib ◊

Author:
• Tuesday, March 30th, 2010

Here is a list of the books we have read and reviewed and will be reviewing in the coming months at the UNWG Book Club:

2003
The Life of Pi by Yann Martel
The Human Stain by Philipp Roth

2004
Palace Walk by Naguib Mahfouz
The Alchemist by Paulo Coelho
Youth & The End Of The Tether by Joseph Conrad
English Passengers by Matthew Kneale
Samarkand by Amin Maalouf
Portrait In Sepia by Isabel Allende
Youth by John Coetzee

2005
Waiting by Ha Jin
Silk by Alessandro Baricco
Notes From The Hyena’s Belly by Nega Mezlekia
Crabwalk by Günter Grass
The Bell Jar by Silvia Plath
The Shadow Of The Wind by Carlos Ruiz Zafon
The Remains Of The Day by Kazuo Ishiguro
Things Fall Apart by Chinua Achebe

2006
The Kite Runner by Khaled Hosseini
Fear And Trembling by Amelie Nothomb
The Namesake by Jhumpa Lahiri
Eve Green by Susan Fletcher
The Palace Tiger by Barbara Cleverly
The Time Traveller’s Wife by Audrey Niffenegger
The Buddha Of Suburbia by Hanif Kureishi
The Pickup by Nadine Gordimer

2007
The Bookseller Of Kabul by Asne Seierstad
The God Of Small Things by Arundhati Roy
Embers by Sandor Marai
Palace Of Desire by Naguib Mahfouz
Sugar Street by Naguib Mahfouz
I’m Not Scared by Niccolo Ammaniti
One Hundred Years Of Solitude by Gabriel Garcia Marquez
In The Country Of Men by Hisham Matar
The Pilot’s Wife by Anita Shreve

2008
Staying On by Paul Scott
The Swallows Of Kabul by Yasmina Khadra
The Cairo House by Samia Serageldin
Keeping The World Away by Margaret Forster
The Speed Of Light by Javier Cercas
The Lady On My Left by Catherine Cookson
My Name Is Red by Orhan Pamuk
An Old Fashioned Arrangement by Susie Vereker
Tears Of The Giraffe by Alexander McCall Smith

2009
The Miniaturist by Kunal Basu
Mothers And Sons by Colm Toibin
The Blood Of Flowers by Anita Amirrezvani
So Many Ways To Begin by Jon McGregor
The Agüero Sisters by Cristina Garcia
The Wedding by Nicholas Sparks
Half Of A Yellow Sun by Chimamanda N. Adiche
That Summer In Paris by Abha Dawesar
The Island by Victoria Hislop

2010
Brick Lane by Monica Ali
The Harmony Silk Factory by Tash Aw
Girl With A Pearl Earring by Tracy Chevalier
The Mission Song by John le Carré
The Conjuror’s Bird by Martin Davies
The Sea by John Banville
The Angel’s Game by Carlos Ruiz Zafón
26a by Diana Evans
The Road Home by Rose Tremain

2011
Desert by Le Clézio
Any Place I Hang My Hat by Susan Isaacs
Rules of The Wild by Francesca Marciano
My Name is Salma by Fadia Faqir
The Man Who Loved Books Too Much by Allison Hoover Bartlett
Nadirs by Herta Müller
The Wind-Up Bird Chronicle by Haruki Murakami
The Yacoubian Building by Alaa El Aswany
Crow Stone by Jenni Mills

2012
The Other Hand (UK print) or Little Bee (USA print) by Chris Cleave. (Two different titles for the same novel depending on where you buy it).
The Siege by Ismail Kadare.
The Loner by Josephine Cox.
Let The Great World Spin by Colum McCann.
Okei by Mitsugu Saotome.
Mister Pip by Lloyd Jones.
The Help by Kathryn Stockett / La couleur des sentiments / Gute Geister.
The White Tiger by Aravind Adiga / Le tigre blanc / Der Weisse Tiger.
My Father’s Notebook by Kader Abdolah / Cunéiforme / Die Geheime Schrift.

2013
The Last Station by Jay Parini / Une année dans la vie de Tolstoi / Tolstojs Letztes Jahr.
The Invisible City by Emili Rosales / La ville invisible / Tiepolo und die Unsichtbare Stadt.
No Great Mischief by Alistair MacLeod / La perte et le fracas.
Illuminations by Eva Hoffman.
Sunset Oasis by Bahaa Taher / Oasis du couchant / Sonnenuntergangs Oase.
Ignorance by Milan Kundera / L’ignorance / Die Unwissenheit.
Light of the Moon by Luanne Rice.
Softcore by Tirdad Zolghadr.
The Musician’s Daughter by Susanne Dunlap.

2014
Honour by Elif Shafak / Crime D’honneur.
Flowers For Algernon by Daniel Keyes / Des fleurs pour Algernon.
Three Strong Women by Marie NDiaye / Trois femmes puissantes.
Firmin by Sam Savage.
The Marseille Caper by Peter Mayle / Embrouille en Provence.
The Year Of The Hare by Arto Paasilinna / Le lièvre de Vatanen.
The Paris Wife by Paula McLain / Madame Hemingway.
Garden Spells by Sarah Addison Allen / Amours et autres enchantements.
The Shadow Lines by Amitav Ghosh / Lignes d’ombres.

2015
The Map Of Love by Ahdaf Soueif / Lady Pacha.
The Secret History Of Costaguana by Juan Gabriel Vasquez / Histoire secrète du Costaguana.
Night Train To Lisbon by Pascal Mercier / Train de nuit pour Lisbonne.
Bel Canto by Ann Patchett.
The Hand That First Held Mine by Maggie O’Farrell / Cette main qui a pris la mienne.
The Way To Paradise by Mario Vargas Liosa / Le Paradis-un peu plus loin.
The Sweetest Dream by Doris Lessing / Le rêve le plus doux de Doris Lessing.
The Detour by Gerbrand Bakker / Le détour de Gerbrand Bakker.
Major Pettigrew’s Last Stand by Helen Simonson / La dernière conquête du major Pettigrew de Helen Simonson.

2016
Coastliners by Joanne Harris / Voleurs de plage.
The Rock Of Tanios by Amin Maalouf / Le rocher de Tanios.
The Heart Of A Dog by Mikhail Boulgakov / Coeur de chien.
In Other Rooms, Other Wonders by Daniyal Mueenuddin / La saison des mangues introuvables.
The Sense Of An Ending by Julian Barnes / Une fille, qui danse.
Balzac And The Little Chinese Seamstress by Dai Sijie / Balzac et la petite tailleuse chinoise.
Ghana Must Go by Taiye Selasi / Le ravissement des innocents.
Accabadora by Michela Murgia.
Hanna’s Daughters by Marianne Fredriksson / Hanna et ses filles.

2017
Marrying Mozart by Stephanie Cowell / Epouser Mozart: Le roman des soeurs.
Please Look After Mother by Shin Kyung-Sook / Prends soin de maman.
Kartography by Kamila Shamsie / Kartographie.
All The Names by José Saramago / Tous les noms.
In The Skin Of A Lion by Michael Ondaatje / La peau d’un lion.
Moderato Cantabile by Marguerite Duras.
Behind The Scenes At The Museum by Kate Atkinson / Dans les coulisses du musée.
The Little Paris Bookshop By Nina George / La lettre oubliée.
The Masterpiece by Anna Enquist / Le chef-d’oeuvre.

2018
The Woman Who Breathed Two Worlds by Selina Siak Chin Yoke.
How It All Began by Penelope Lively.
The Heart Has Its Reasons by Maria Duenas / Demain à Santa Cecilia.
The Violinist Of Venice by Alyssa Palombo.
The Woman On The Orient Express by Lindsay Jayne Ashford.
The Briefcase by Hiromi Kawakami / Les années douces.
The Girl Who Saved The King Of Sweden by Jonas Jonasson / L’analphabète qui savait compter.
A Piece Of The World by Christina Baker Kline.
The Joy Luck Club by Amy Tan / Le club de la chance.

2019
Luncheon Of The Boating Party By Susan Vreeland.
Good Me Bad Me by Ali Land / Le sang du monstre.
A Gentleman in Moscow by Amor Towles / Un gentleman à Moscou.
When The Future Comes Too Soon by Selina Siak Chin Yoke.
Stolen Beauty by Laurie Lico Albanese.
A Man Called Ove by Frederik Backman / La vie selon Ove.

 

 

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Author:
• Friday, March 28th, 2008

Samia Serageldin was born in the early fifties in Cairo, Egypt, the daughter of a wealthy landowner of a renowned Egyptian family. She married at twenty and went to England where she obtained an M.S. Degree in Politics from London’s school of Oriental and African Studies.

She emigrated with her family in 1980 to the U.S.A. and has lived since then in Michigan, Massachusetts, and North Carolina. She has two adult sons who live in two different continents from hers.

Samia Serageldin worked as a professor of French and Arabic language, an interpreter for an international company, a book columnist, a free-lance writer and as a public speaker on current affairs.

The Cairo House is Samia Serageldin’s first novel. It was first published in the USA in 2000, the UK publication followed a few years later in 2004. It’s semi-autobiographical, a way for the author to reconcile the present with the past. The book is about the changes and developments in Egypt during the decades following the 1952 Egyptian revolution.

Gigi the main character in the book relates her day-to-day life during the time of the four presidents who took power after king Faruk. President Naguib, then Nasser, followed by Sadat, and then Mubarak.

She starts her story in the good old days, the belle époque, of an Egyptian privileged wealthy, landowner family who went through hardship after president Nasser sequestrated their lands in the sixties. From then on, life will never be the same again neither for Gigi, her family, nor for Egypt.

Gihan (Gigi), the narrator and main character, is an introverted, complicated and tormented person. She hastily married a man who is a complete stranger to her, saying that “she was tired of waiting for life to begin.” She was young, inexperienced and believed innocently that life started with wedlock.

The expected happened, her married life was a failure. Her second marriage was not a great success either. Like most expatriates, she didn’t feel at home in the USA and she felt out of place in the new Egypt. She seemed to be helplessly lost until the end of the story, seeking a way out of her dilemma.

Despite that, it’s not easy to feel much compassion for Gihan, her character lacks some depth. The events and turmoil surrounding her life are described more elaborately, although some subjects could have been more developed.

The metaphors of the Chameleon for the constant readjustment between the two worlds, the East and the West, and the kaleidoscope for the change in fate, which are mentioned in several parts of the novel are, of essential importance to the author. It conveys what destiny is about. The slightest change in the kaleidoscope, like a small occurrence, can alter the route of one’s life and therefore make a substantial difference to one’s destiny.

The story of Gihan and her clan in The Cairo House reveals Egyptian culture, traditions, politics and unrest amongst the different classes in society under each new regime. The novel starts with a vivid and rich description of Egyptian society of the time, but as the author moves her character to the western world, the images are fading and are no longer of substance.

The Cairo House is an entertaining book to read. Written by an Egyptian who lived the various events that occurred in her country first hand, it’s valuable historically for the important Egyptian period of the first half of the twentieth century and the significant changes that followed whether in politics, culture, way of life or even the country’s infrastructure.

Samia Serageldin, in one of her interviews, says about The Cairo House : “I’ve been often asked why, since The Cairo House draws so heavily from my personal history, I did not simply write a memoir. It is often said that a memoir is fiction in disguise and a novel is fact masquerading as fiction. For me, at least, I could not have written as freely without the fig leaf of fiction…The great satisfaction of being read comes from taking others with you on that fascinating journey.”

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