Tag-Archive for ◊ Orhan Pamuk ◊

Author:
• Tuesday, March 30th, 2010

Here is a list of the books we have read and reviewed and will be reviewing in the coming months at the UNWG Book Club:

2003
The Life of Pi by Yann Martel
The Human Stain by Philipp Roth

2004
Palace Walk by Naguib Mahfouz
The Alchemist by Paulo Coelho
Youth & The End Of The Tether by Joseph Conrad
English Passengers by Matthew Kneale
Samarkand by Amin Maalouf
Portrait In Sepia by Isabel Allende
Youth by John Coetzee

2005
Waiting by Ha Jin
Silk by Alessandro Baricco
Notes From The Hyena’s Belly by Nega Mezlekia
Crabwalk by Günter Grass
The Bell Jar by Silvia Plath
The Shadow Of The Wind by Carlos Ruiz Zafon
The Remains Of The Day by Kazuo Ishiguro
Things Fall Apart by Chinua Achebe

2006
The Kite Runner by Khaled Hosseini
Fear And Trembling by Amelie Nothomb
The Namesake by Jhumpa Lahiri
Eve Green by Susan Fletcher
The Palace Tiger by Barbara Cleverly
The Time Traveller’s Wife by Audrey Niffenegger
The Buddha Of Suburbia by Hanif Kureishi
The Pickup by Nadine Gordimer

2007
The Bookseller Of Kabul by Asne Seierstad
The God Of Small Things by Arundhati Roy
Embers by Sandor Marai
Palace Of Desire by Naguib Mahfouz
Sugar Street by Naguib Mahfouz
I’m Not Scared by Niccolo Ammaniti
One Hundred Years Of Solitude by Gabriel Garcia Marquez
In The Country Of Men by Hisham Matar
The Pilot’s Wife by Anita Shreve

2008
Staying On by Paul Scott
The Swallows Of Kabul by Yasmina Khadra
The Cairo House by Samia Serageldin
Keeping The World Away by Margaret Forster
The Speed Of Light by Javier Cercas
The Lady On My Left by Catherine Cookson
My Name Is Red by Orhan Pamuk
An Old Fashioned Arrangement by Susie Vereker
Tears Of The Giraffe by Alexander McCall Smith

2009
The Miniaturist by Kunal Basu
Mothers And Sons by Colm Toibin
The Blood Of Flowers by Anita Amirrezvani
So Many Ways To Begin by Jon McGregor
The Agüero Sisters by Cristina Garcia
The Wedding by Nicholas Sparks
Half Of A Yellow Sun by Chimamanda N. Adiche
That Summer In Paris by Abha Dawesar
The Island by Victoria Hislop

2010
Brick Lane by Monica Ali
The Harmony Silk Factory by Tash Aw
Girl With A Pearl Earring by Tracy Chevalier
The Mission Song by John le Carré
The Conjuror’s Bird by Martin Davies
The Sea by John Banville
The Angel’s Game by Carlos Ruiz Zafón
26a by Diana Evans
The Road Home by Rose Tremain

2011
Desert by Le Clézio
Any Place I Hang My Hat by Susan Isaacs
Rules of The Wild by Francesca Marciano
My Name is Salma by Fadia Faqir
The Man Who Loved Books Too Much by Allison Hoover Bartlett
Nadirs by Herta Müller
The Wind-Up Bird Chronicle by Haruki Murakami
The Yacoubian Building by Alaa El Aswany
Crow Stone by Jenni Mills

2012
The Other Hand (UK print) or Little Bee (USA print) by Chris Cleave. (Two different titles for the same novel depending on where you buy it).
The Siege by Ismail Kadare.
The Loner by Josephine Cox.
Let The Great World Spin by Colum McCann.
Okei by Mitsugu Saotome.
Mister Pip by Lloyd Jones.
The Help by Kathryn Stockett / La couleur des sentiments / Gute Geister.
The White Tiger by Aravind Adiga / Le tigre blanc / Der Weisse Tiger.
My Father’s Notebook by Kader Abdolah / Cunéiforme / Die Geheime Schrift.

2013
The Last Station by Jay Parini / Une année dans la vie de Tolstoi / Tolstojs Letztes Jahr.
The Invisible City by Emili Rosales / La ville invisible / Tiepolo und die Unsichtbare Stadt.
No Great Mischief by Alistair MacLeod / La perte et le fracas.
Illuminations by Eva Hoffman.
Sunset Oasis by Bahaa Taher / Oasis du couchant / Sonnenuntergangs Oase.
Ignorance by Milan Kundera / L’ignorance / Die Unwissenheit.
Light of the Moon by Luanne Rice.
Softcore by Tirdad Zolghadr.
The Musician’s Daughter by Susanne Dunlap.

2014
Honour by Elif Shafak / Crime D’honneur.
Flowers For Algernon by Daniel Keyes / Des fleurs pour Algernon.
Three Strong Women by Marie NDiaye / Trois femmes puissantes.
Firmin by Sam Savage.
The Marseille Caper by Peter Mayle / Embrouille en Provence.
The Year Of The Hare by Arto Paasilinna / Le lièvre de Vatanen.
The Paris Wife by Paula McLain / Madame Hemingway.
Garden Spells by Sarah Addison Allen / Amours et autres enchantements.
The Shadow Lines by Amitav Ghosh / Lignes d’ombres.

2015
The Map Of Love by Ahdaf Soueif / Lady Pacha.
The Secret History Of Costaguana by Juan Gabriel Vasquez / Histoire secrète du Costaguana.
Night Train To Lisbon by Pascal Mercier / Train de nuit pour Lisbonne.
Bel Canto by Ann Patchett.
The Hand That First Held Mine by Maggie O’Farrell / Cette main qui a pris la mienne.
The Way To Paradise by Mario Vargas Liosa / Le Paradis-un peu plus loin.
The Sweetest Dream by Doris Lessing / Le rêve le plus doux de Doris Lessing.
The Detour by Gerbrand Bakker / Le détour de Gerbrand Bakker.
Major Pettigrew’s Last Stand by Helen Simonson / La dernière conquête du major Pettigrew de Helen Simonson.

2016
Coastliners by Joanne Harris / Voleurs de plage.
The Rock Of Tanios by Amin Maalouf / Le rocher de Tanios.
The Heart Of A Dog by Mikhail Boulgakov / Coeur de chien.
In Other Rooms, Other Wonders by Daniyal Mueenuddin / La saison des mangues introuvables.
The Sense Of An Ending by Julian Barnes / Une fille, qui danse.
Balzac And The Little Chinese Seamstress by Dai Sijie / Balzac et la petite tailleuse chinoise.
Ghana Must Go by Taiye Selasi / Le ravissement des innocents.
Accabadora by Michela Murgia.
Hanna’s Daughters by Marianne Fredriksson / Hanna et ses filles.

2017
Marrying Mozart by Stephanie Cowell / Epouser Mozart: Le roman des soeurs.
Please Look After Mother by Shin Kyung-Sook / Prends soin de maman.
Kartography by Kamila Shamsie / Kartographie.
All The Names by José Saramago / Tous les noms.
In The Skin Of A Lion by Michael Ondaatje / La peau d’un lion.
Moderato Cantabile by Marguerite Duras.
Behind The Scenes At The Museum by Kate Atkinson / Dans les coulisses du musée.
The Little Paris Bookshop By Nina George / La lettre oubliée.
The Masterpiece by Anna Enquist / Le chef-d’oeuvre.

2018
The Woman Who Breathed Two Worlds by Selina Siak Chin Yoke.
How It All Began by Penelope Lively.
The Heart Has Its Reasons by Maria Duenas / Demain à Santa Cecilia.
The Violinist Of Venice by Alyssa Palombo.
The Woman On The Orient Express by Lindsay Jayne Ashford.
The Briefcase by Hiromi Kawakami / Les années douces.
The Girl Who Saved The King Of Sweden by Jonas Jonasson / L’analphabète qui savait compter.
A Piece Of The World by Christina Baker Kline.
The Joy Luck Club by Amy Tan / Le club de la chance.

 

 

Category:  | Tags: , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , ,  | Leave a Comment
Author:
• Friday, March 27th, 2009

Anita Amirrezvani was born in Teheran, Iran in 1961 and raised in San Francisco by her mother, after her parents separated when she was two years old. She began going back to Teheran at the age of 13, several times afterwards, to spend time with her father and her Iranian family. During the nine years spent writing her first novel, The Blood of Flowers, she visited Isfahan three times to study the settings described in her novel on location.

She read many books about 17th century Iran under the reign of Shah Abbas and also spent time informing herself about art during this period; like paintings, architecture, textiles and the art and techniques of carpet making.

Amirrezvani worked as an art journalist and a dance critic in San Francisco for ten years.

The Blood of Flowers was published in 2007. It was short-listed for the 2008 Boeke Prize and long-listed for the 2008 Orange Prize for Fiction.

The Blood of Flowers, set in 1620 Isfahan, is a tale of endurance that led to success. Each detail in the novel is meticulously described. The colours are vivid, the flavours are mouth-watering and the fragrances are powerful as much as the emotions.

In order to enhance her fairy tale, the author has chosen an exotic background for her story about the craftsmanship of carpet making, promoted by Shah Abbas the Great, as a fine art. Like Orhan Pamuk’s My Name is Red, it’s a detailed description about how miniature drawing in the late sixteen century Turkey under the reign of Ottoman Sultan Murat III was also a very refined art.

Amirrezvani and Pamuk have both chosen the colour “red” to describe on one side, the colour used by the artists to enhance their work – the blood of flowers – that is used for dying the wool, and on the other side to describe the colour of blood. In Amirrezvani’s case it refers to the precious virginity while in Pamuk’s case it refers to the human incessant bloodshed.

Amirrezvani reveals in her novel that she is clearly influenced by folk tales, an old Iranian tradition. The seven tales woven into the main story, is a homage to the traditional folk storytellers throughout the ages. Another tribute in the novel is given to the anonymous carpet artisans, who will always remain unknown and whose beautiful work has survived many centuries and who are portrayed by the unnamed narrator.

The story is about a painful striving of an innocent immature, ambitious, strong-headed young girl through her journey to the harsh world of adulthood and through her many attempts and her final victory. She is faced with a dilemma; either to forsake her dignity and lead a degrading life of servitude, under her weak-willed uncle’s and his wicked authoritarian wife’s roof, or take the big risk of fighting for a better independent tomorrow, for herself and her mother.

The narrator discovers that a very thin thread exists between the strong will, love and happiness. She is portrayed as an early determined, strong-headed feminist, quite precocious for her time, despite the male dominated society she lives in.

With time and experience the narrator begins to understand her own worth and refuses to live with her “temporary husband” Fereydoon. It’s an unsettled life where she has to keep his interest by being constantly inventive during their night frolics in order for him to keep renewing their marriage contract – called the “Sigheh” – every three months. The explicit sex passages described in detail by the author are unnecessary to the plot.

Instead of being like the submissive Sheherazad in the tale of One Thousand and One Nights and her endeavour to keep the king’s keen interest in her tales in order to escape her death sentence, the narrator chooses instead to face poverty and starvation, in the hope of reaching her target by becoming one of the finest carpet makers of her time.

The description of the beautiful, painstakingly crafted carpets produced by the narrator and her women artisans, contrasts with their own abject poverty and suffering.

A good and rich insight of the old Iranian history and culture. Skillfully written with many themes that are still valid in today’s world.

Category: Book Reviews  | Tags: , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , ,  | Leave a Comment